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-- The Best VSTi Softsynths
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The Best VSTi Softsynths
heres the run down on some of the best VSTi's around at the moment
Pentagon
4 Oscillators, 13 Alias Free Waveforms each plus a Noise Generator per oscillator: Saw, Vintage Saw, Square, Vintage Square, Pulse 50%, Pulse 25%, Pulse 12%, Pulse 6%, Harmonics 5/2, Harmonics 3, Harmonics 4, Harmonics 5, Pure Sine.
4 User Loadable waveforms, in two modes: Simple shot and Full range.
64 voice polyphonic (CPU dependant) with polyphony limiter and Intelligent Voice Allocation (no clicks when maximum polyphony is exceeded).
Full Legato mode for monophonic operation.
Monophonic/Polyphonic portamento with Fixed or Variable per-key Time.
Individual adjustment of Level, Waveform, Mode, Phase, Fine, Octave, Coarse tune, LFO sensitivity and Pitch Eg Intensity for each oscillator.
Key Sync, Inverted, Free Running or Fixed Frequency mode selection for each oscillator.
Dedicated Pitch Envelope Generator, with Start Level, Attack Time, Attack Level, Decay Time, Release Level, Release Time with fully bandlimited operation.
Random Pitch control, with individual generators per oscillator.
4 Operation modes: Add (normal), Ring Modulation, Hard Sync and Frequency Modulation. Every group of two oscillators can select any operation mode.
Pulse Width Modulation (PWM) with adjustable depth for every oscillator and phase shift control.
2 Superb resonant multimode filters (Low Pass, High Pass, Band Pass, Notch) with individual adjustment for Type, Cutoff, Resonance, Attack, Sustain, Decay, Release, Envelope, Velocity, Keyboard Scaling, Aftertouch, Breath controller, Modulation.
Positive or Negative envelope modes.
Link mode for the two filters.
2 Amplifier dedicated Envelope Generators with Attack Time, Hold Time, Decay Time, Sustain Level, Release Time, Keyboard tracking and Velocity control.
Linear/Exponential selectable envelopes.
Dedicated LFO's, for Pitch, Filter and Amplifier, 13 waveforms each: Sine, Square, Pulse 50%, Pulse 25%, Pulse 12%, Saw Up, Saw Down, Triangle, Step 1, Step 2, Random 1, Random 2, Sample and Hold.
Variable offset of all waveforms, Delay, Fade, Speed Depth, Aftertouch, Breath and Modulation controls.
All LFO's are individually syncable to Host Tempo.
Loadable LFO waveforms.
5 Pitch Bend modes: Normal, Asymmetric, High Note, Low Note, Hold Notes. Pitch Bend range adjustable up to +12 semitones.
Built-in effects section:
2 filter level effects:
Drive control with Tone adjustment
Amp/Cabinet Simulator with 19 different simulations.
6 Modulation effects:
Chorus
Stereo Chorus
4-Voice Chorus
Phaser
Stereo Phaser
4-Voice Phaser
AutoPan
Stereo Spread
Stereo Delay
Two Band Equaliser with adjustable frequency and �12dB range.
All effects can be disabled to save CPU
4 outputs: Main stereo pair (with effects), 2 auxiliary mono outputs (dry).
Master volume control for the whole instrument (all presets)
Extensive MIDI implementation: Velocity, Pitch Bend, Aftertouch, Modulation, Breath, Sustain Sw.
MIDI Learn mode: Any knob can be assigned to any parameter just shift-clicking on it and sending a MIDI CC. Multiple knobs (in any number) can be assigned to any controller with selectable polarity and MIN/MAX value.
MIDI Settings are remembered.
768 programs in 6 banks (a-f), 300 top quality factory presets selectable by right click.
Copy/Paste/Init functions to arrange presets.
Reduced CPU utilisation
Sound Preview feature with MIDI transmit.
Easy programming layout
home page- http://www.rgcaudio.com/Pentagon_I.htm
Absynth
Type : Modular Synth
Absynth is not an emulative synthesizer in the typical sense. It can do analog and FM style timbres but these timbres can be made better by synths dedicated to the task.
What Absynth is best at are evolving pads, complex rhythmic patterns and other worldly FX.
Absynth has a unique interface, it doesn't look like an analog synth which seems to bother some. Although this might create a learning curve the interface is efficient and logical.
The main engine consists of 1 - 2 ocillators paired to 1 filter and 1 modulator. There are three sets that go into a master waveshaper, another filter and effects.
You draw your waveforms although 32 presets are available. The waveforms you draw can be adjusted in spectrum mode which allows you to manipulate 64 poles, similar to AM synthesis. It is amazing what a few harmonics can sound like.
Semi-modular synthesizer combining multiple synthesis techniques
6 oscillators, 4 filters, 3 ring modulators, waveshaper and delay processor per voice
Freely drawable waveforms for oscillators, LFOs and waveshaping
Many graphical envelopes with up to 68 breakpoints each
8 part multitimbral (CPU Dependant)
Intuitive and convenient graphical editors, attractive design
Extensive sound library
Runs stand-alone and as a plug-in
home page- http://www.nativeinstruments.de/index.php?absynth_us
FM7
Type : FM Synth
FM synthesizer with extended sound architecture
Reads and faithfully reproduces sound programs of the FM classics
Full matrix frequency modulation with 8 operators, no fixed algorithms
6 operators with many waveforms plus distortion and analog filter operator
Sophisticated graphical editors with many convenient edit functions
Flexible graphical envelopes with unlimited number of stages and looping
Stereo effects section with chorus, flanger delay, can be used for external audio signals
Runs either as stand-alone or as a plug-in
Optimized for Pentium III and G4 processors
home page- http://www.nativeinstruments.de/index.php?fm7_us
Junglist
Type : Synth
2 oscillators (32 waveforms) with adjustable coarse and fine tune
Saturation control for both oscillators
2-op FM mode
Percussive mode for synth drum sounds
Dual Voice mode
Ring Modulator
Multimode filter with 24 dB Lowpass, 24 dB Highpass types and Separation control
Filter Keyboard Tracking
2 pitch envelopes
ADSR filter envelope
ADSR amplitude envelope
LFO on pitch and/or filter
LFO and Delay tempo syncable
Glide function, can be switched between constant-rate and constant-time
Bass Fx section to create ultra-low basses
Complex Chorus section allows a wide range of delay, chorus, flange and spatialization effects
Distortion effect, low/high filter, and level for the master output
Supports both parameter automation and Cubase automation (MIDI CC)
Unison mode (plays all voices at once)
Up to 12 voices of polyphony
Supports Aftertouch
home page- http://www.sonic-syndicate.com/defa...age=plugin6.asp
VAZ 2010
Type : Synth
Synth section - The powerful VAZ 2001 Synthesizer architecture allows unique sounds to be crafted easily and quickly, essential for making your music stand out from the crowd. The quality and diverse range of analogue sounds will surprise you. Combine that with the ability to use sampled sounds like pianos, guitars, vocals, drum kits, and also live audio input which can then be processed through the synthesizer structure, and you have a hugely flexible sound source. VAZ 2001 then supports up to 16 of these synthesizers at one time, with up to 16 notes of polyphony per instrument!
Sequencer Section - The polyphonic VAZ 2001 Sequencer combines the best of classic analogue and digital pattern sequencers. An independent sequencer is available for each of the 16 synthesizers, and can be used for patterned modulation of parameters such as Filter Cutoff and Resonance in addition to note sequencing. The sequencer can also synchronize with the host directly when used as a VSTi or DXi plugin or via MIDI Clock for the standalone version.
Mixer Section - The VAZ 2001 Mixer is a 16:2 design with 2 aux sends to combine the outputs of every synthesizer. Each channel has an insert point which can load a chain of effects including internal VAZ effects, VST plugins and DirectX plugins. A Sub Output module can also be used to route any channel to a hardware audio output. The 2 stereo aux sends can be used to share an effect (i.e. Reverb) across all channels, or with the Sub Output module provide 2 further complete sub-mixes.
Software is supplied as a standalone application, VSTi and DXi plug-in
Three Oscillators are available with LFO 1 switched to audio range
Ring Modulator
Noise generator
8 Filter Modes: Type A and B, 2-Pole Multimode Low, Band and High Pass, Type C 2-Pole Low Pass and 4-Pole Low Pass
Dynamic Polyphony allocation
Velocity sensitive patches
Arpeggiator
Real-time Transpose
MIDI Clock Sync
Master Tuning
MicroTuning - redefine tunings for notes
Live audio input
'QWERTY' virtual keyboard
Fully MIDI controllable
Learn MIDI' facility - Simply Right Click a parameter to easily map MIDI controller
Supports MME, DirectX/Sound and ASIO
Supports Multiple SoundCard Outputs
Selectable 11, 22, 32, 44.1 or 48 kHz output
Output can be exported to .WAV audio files, so you can create a CD or use it in other software
Use it on its own
Use it as a VSTi plug-in within Steinberg's Cubase VST, Emagic's Logic, etc
Use it as a DXi plug-in within Cakewalk's SONAR
Use it as a VST or DX plug-in for processing audio
Save/Load Patches, 128 controllable via MIDI program change
Sequences can be saved along with patches, as can the corresponding effect (if any) assigned in the Mixer
Save/Load Sequences, Banks / Songs
home page- http://www.software-technology.com/...010/vaz2010.htm
DR-008
Type : Modular Drum Sampler/Synth
96 Channels
Modular architecture
Four sampler modules
Ten synthesizer algorithms
Six MIDI-processing performance modules
Pattern sequencing
Multimode resonant filters
Loop modulation
128-way Velocity Switching
Multiple Outputs (in compatible host applications)
Loads files in WAV, AIFF, LM-4, DR-005 format (up to 32-bit depth)
Eight assignable exclusion groups
Eight programmable macro-mutes
Two aux sends per channel
Full MIDI automation
Third-party support from SmartElectronix, MDA and more
Frankly, there's just nothing else to compare it to. An open, modular drum-oriented sample playback platform with a bevy of modules. 'Battery vs. DR-008' isn't a fair comparison, though I've seen many conversations on this topic... you might compare ONE of DR-008's modules to Battery, likewise you might compare ONE or TWO of DR-008's modules to Attack, but again... this doesn't make sense. In reality, DR-008 is all of these tools and more. The ability to have a different 'module' on each pad is flat-out brilliant.
homepage- http://www.fxpansion.com/dr008.html
Waldorf Attack
Type : Percussion Synth
Virtual analog sound synthesis
31 sounds kits with over 700 sounds included
24 percussion sounds per set, spread over two octaves
Per sound (editable):
2 oscillators with each 9 waveforms (triangle, sine, square, sawtooth, sample&hold, noise, hihat closed, hihat opened, crash)
FM and Ring Modulation
'Crack'-module for authentical analog hand claps
6 filter types with resonance up to self oscillation and overdrive
2 envelopes for Pitch, FM amount, Filter Cutoff and Loudness
All parameters addressable via MIDI controller
8 audio outputs (2 stereo, 4 mono)
Two integrated and synchronizable Modulation Delays for the stereo outs
Percussive Bass und Lead sounds - polyphonic playable
For analog style percussion sounds, it beats anything else out there for flexibility and verstatility including Rebirth and Reason. The multi-timbral implementation couldn't be easier to use and automation of all parameters via MIDI CC is well documented. The shipped kits are, for the most part, excellent and most of the MIDI file examples really show to make Attack shine.
homepage- http://www2.waldorf-gmbh.de/attack/
Reaktor
Type : Modular Synth
32Bit Real-time Synthesis
Adjustable internal processing speed from 22.05 kHz to 132.3 kHz
Freely connectable signal processing structures
Freely connectable signal processing structures
Maximum number of instruments: 16
Maximum number of voices per instrument: 64
128 snapshots per instrument
Full MIDI control (In/Out) of all panel elements
Audio-Recording and WAV (PC) / AIFF (MAC) file Export
Synthesis: Analogue Modelling, Waveshaping, FM, Waveset, & Granular Synthesis, Sampling
Imports WAV and AIFF (PC and Mac) as well as SoundDesigner II (Mac)
Premium Library included (25 Reaktor synth, sampler, & FX ensembles)
Reaktor library - 300 instruments and FX
Complex modular synth, users can build their own synths, samplers, drum machines, FX. etc. using the included modules, macros, instruments, etc.
Reaktor is one nice synth developement system and workes very well as a VSTi/DXi and Standalone. There isnt to much from a synth design point of view that couldnt be done with imagination, some study and time. It also come with many ensembles (synths) and there are also many available for download
homepage- http://213.70.166.223/index.php?id=268&type=1
Mercury
Type : Synth
Monophonic Virtual Analogue Synthesizer
4x multitimbral
2 Oscillators plus Sub Oscillator
Sine, Saw Tooth, Triangle, Square and Pulse Waves
Pulse Width Modulation
Noise Generator for Oscillator 1 (White Noise)
Oscillator Sync & Ring Modulation
24 dB/Octave Low Pass Filter (4 pole) with Resonance
Two Envelope Generators
Extensive Modulation possibilities (MIDI assignable)
LFO with Sine, Saw Tooth, Square and Sample & Hold
LFO synchronizable via MIDI
TC SoftSat� drive for analogue sounding distortion
The sounds that come out of it, are kinda evil and harsh sounding. The thing is, once you get into it, it seems extemely limited. The sounds I got out of it, sounded similar to the presets supplied (and there wasnt that many), and within a few months id gone completly off it. It eats up your CPU too. It has got a distinctive sound, and would probably work well in some techno tune, but unless thats your sort of music, i wouldnt put this high on my recomendation list.
homepage- http://www.tcworks.de/home/content/...nk/render_main/
Tau Pro
Type : Synth
Two 64-bit alias-free oscillators, with a choice of eleven waveforms each, plus detune and PWM (available for all waveforms)
Hard Sync and Ring Modulation for extra grit
Switchable 18db/24db/36db per octave resonant lowpass filter with EG modulation. Classic acid bassline sound!
Velocity-controlled Accent Feature and supersmooth Glide mode
Built-in Stereo FX unit with distortion, delay, chorus and flange
Full MIDI control
homepage- http://www.muon-software.com/html/home.html
CronoX
Type : Sample Synth
24 voice polyphonic (CPU dependent)
64 sound programs
1 user loaded sample oscillator (WAV/AIFF up to 96kHz/24bit)
Samples can be time stretched and pitch shifted independently in real time
Additional Analogue modelled oscillator
Analogue modelled multi-mode filters with cutoff and resonance, fully modulatable
Velocity, Aftertouch, Pitch bend , Mod wheel, Spread, and various other controllers
ADSFR (Attack, Decay, Sustain, Fade, Release) envelopes for Amplitude, Cutoff and a freely assignable Modulation Envelope
Powerful GakStoar type 8x8 Modulation Matrix (More than 200 modulation routings)
Two fully equipped LFOs with many waveforms, tempo sync and symmetry adjustment
Delay section
ECS (MIDI - Easy Controller Setup)
Sample accurate timing
Full automation and settings are saved with your song
homepage- http://www.linplug.com/Products/CronoX/cronox.htm
QuadraSID 6581
Type : Synth
Up to four independent SIDs can be emulated with a single SID plugin
Each SID has three independent oscillators and a fourth "Galway-noise" channel
Oversampling per chip (1x - 8x)
Chip-Model selector per chip (6581 / 8580)
The SID emulation has been enhanced so each oscillator can have it's own volume
Build-in arpeggiator for each oscillator
Four LFOs, four envelopes and four "functions" for each oscillator
Programmable wavetables for each oscillator
Three play modes : Mono, Poly & Multi-timbral
Nearly every parameter can be modulated by MIDI or other internal modulators
Velocity sensitive Virtual-keyboard can be toggled on/off
Beta-tested by Chris H�lsbeck, the C-64 SID guru
Very low CPU consumption
homepage- http://www.refx.net/products/QuadraSID.php4
U ROCK
damn you Peter Campbell, J00 R0X0RZ 
as a newbie that gives me a good outlook of all those softsynths out there. thanks a million =)
Yeah man!!
Whata Post!!!
Great info mate. 
Thanks alot!
Have alot of reading to do now. 
LAteR:Z.. 
Now this is something good
Many thanks to you!!
-ReGrOoVeD
Wow! Thanks alot! Gonna try out some of these
God, this list is huge, cheers
Is there a chance anyone already virus scanned these files?
how much $$$???
Cheers for the help ,
somebody sticky this thread, its well useful.
Nice review! I needed to get up to speed on softsynths.
hehe download my very first VSTi.....
it's pretty basic, but it does have a freaky filter architecture, and can make some bizar noises.
First version, beta
http://homepage.uvt.nl/~s216887/PJ101.zip
unzip it and put BOTH files together in your VST dir
PS first error: the Amp Release doesn't work
enjoy!
Don't forget these ones: (I'll add some more later)
The FM7: (http://www.creativemac.com/2002/06_...ative020424.htm)
The Pro52:
(http://www.orion-central.com/reviewpro52.shtml)
Waldorff PPG (http://www.kvr-vst.com/inst.php?inst=81)
Jx Synth, JunoX2, Junglist 3 & Scorpion 2 (http://www.orionstuff.student.net.au/novakill.html)
Model E (http://www.vinatagesynth.org/misc/modele.shtml)
Tritium Bass (for basslines)
(http://www.kvr-vst.com/inst.php?inst=60)
I know more, maybe I'll add some later. Enjoy!
He already had the FM7 on.
| quote: |
| He already had the FM7 on. |
Yeah they are, cheers, is that an old version of junglist or something? I got the VST which is blue, is it just the orion version which is red?
I'm not sure! I myself have the Pentagon 1 synth, and that looks quite different from the one in this thread, but the functions are all the same... So maybe there are different 'skins' for the VST's...?
just trying to keep this thread alive.
Yes keep this thread alive. In a few days I will try to post some more synths. But I don't promise anything
Why doesnt somebody sticky it? Its really useful.
how about some other types of software aka eq and compression etc. stuff to finish off a track 
| quote: |
| Originally posted by Floorfiller how about some other types of software aka eq and compression etc. stuff to finish off a track |
| quote: |
| Originally posted by dj dimwit I'm not sure! I myself have the Pentagon 1 synth, and that looks quite different from the one in this thread, but the functions are all the same... So maybe there are different 'skins' for the VST's...? |
Here are some new or comming soon VSTi's
Stylus
Type : sample based synth
Stylus is an innovative new type of software plug-in instrument that integrates a massive core library of thousands of cutting-edge groove elements, loops and samples, with a powerful user interface for creating your own grooves. Stylus can be used as a native plug-in instrument in hosts like Logic, Digital Performer, Cubase VST, Nuendo and Pro-Tools no sampler is necessary!
The huge 3 gigabyte core library of Stylus includes over 1000 brand-new loops, featuring insane new breakbeat remix loops with a cutting-edge vinyl attitude, from award-winning producer Eric Persing. The grooves are inspiration generators for application in a huge variety of remix genres including R&B, 2-step, Trip-Hop, Chemical, Epic House, Underground Hip-Hop, UK Garage, Downtempo Dub, Nu-skool, Acid Jazz, Trance, Funk, Alternative, Progressive, Rap, Abstract, Urban Neo-Soul, Big Beat, Slo-Jamz, Drum 'N Bass, and many others.
Each groove is presented in our widely-acclaimed Groove Control activated versions�which allow you to change the pitch, tempo, feel and pattern independently ...without using any DSP! Since every groove can be mixed and matched at any tempo or feel, there are literally endless combination possibilities
Massive 3 gig core library
All NEW sounds
Insane new remix grooves and samples by Eric Persing
Over a thousand turntable tricks, skips, stops, beat-juggling and scratch FX
Killer live percussion loops can be added to any groove
Elastic Tempo, Pitch, Pattern and Feel with Groove Control�
Real-time groove jamming at any tempo with Groove Menus
Built-in Groove auditioning system... Lightning-fast load times
1000 Kicks, 1000 Snares, 500 Hi-hats for creating your own grooves
Easy to use... Built-in patch management system
Sample-accurate timing
Fully programmable
Total recall with your sequence
Multimode resonant Filters for each sample, plus Master Filters
Three envelopes for Pitch, Filter and Amplitude
Matrix-style Modulation routing, two LFOs
Unique interface allows independent parameter control of each sample, and Groove control automation.
Powered by Custom 32 bit UVI Engine
Cross platform, plug-in compatibility!
home page: http://www.spectrasonics.net/instruments/stylus.html
Atmosphere
Type : sample based synth
The Atmosphere Dream Synth Module�, is a new type of software plug-in instrument that integrates a massive, three gigabyte core library of more than one thousand unique sounds and layer elements, with a powerful and intuitive interface for shaping new textures. Atmosphere works as a native plug-in instrument in all major hosts like Logic, Digital Performer, Cubase, Nuendo and Pro-Tools.
Atmosphere was designed from the ground up by acclaimed synthesist Eric Persing, well known for his sound design of classic Roland synthesizers and award-winning sample libraries.
Persing and his International team of sound designers developed the Atmosphere core library using over a hundred sound design devices and nearly every conceivable synthesis method including Granular, Additive, Wavetable, Wavescanning, Graintable, Neural Processing, Vintage Analog, Vector, Virtual Analog, FM, Plug-In manipulations, and unusual Acoustic sources as well. This custom core library gives Atmosphere its unprecedented variety of tonal textures, especially when compared to standard soft-synths.
The range of sounds this instrument is capable of is astonishing, from lush ethereal pads, to powerful leads, crystalline glass swells to dark brooding atonal clouds, unusual synth basses, evocative ambiences, deep drones, complex textures, vintage analog sounds, disturbing noise FX, europhasers, gorgeous ambient string ensembles, thick trance/techno sounds, wavetable sweeps, vocoded choirs, dense vocal washes, transparent evolutions, and shimmering prisms of harmonic convergence. Sounds this rich put even the best hardware synths to shame!
Over 3 gig core library offers vast array of textures to explore
1,000 patches by award-winning sound designer Eric Persing
All NEW Sounds
Powerful interface and synthesis capabilities
Dynamic layering of sounds for over 1,000,000 mix combinations
Easy to use... Built-in patch management system
Fully programmable
Total recall with your sequence
Multimode resonant Filters for each layer, plus Master Filters
Three envelopes per layer for Pitch, Filter and Amplitude
Matrix-style modulation routing, four LFOs
Powered by custom 32 bit UVI engine
Cross platform plug-in compatibility
ATMOSPHERE EQUIPMENT LIST
Hardware Synths:
Yamaha CS-80
Access Virus Indigo
Access Virus A
Access Virus B
Access Virus C
Studio Electronics modified Minimoog
Waldorf Q
Korg Z1 EVL
Korg Prophecy
Kawai K-5000 additive synth
Oberheim 4-voice SEM style analog synth
Roland Jupiter 8
Roland MKS-80 Super Jupiter
Roland MKS-70 Super JX-10
Roland S-760 samplers
Roland S-770 sampler
Roland JD-800
Roland JD-990
Roland D-550
Roland JP-8000
Roland JV-90
Roland JV-1080
Roland JV-2080
Roland XV-5080
Sequential Circuits Prophet 5
Sequential Circuits Prophet VS
Waldorf Wave
Waldorf Microwave
Waldorf Microwave XT
PPG Wave 2.2
ARP String Ensemble
Mellotron
Soft Synths:
Propellerheads Maelstrom
U&I Metasynth
Emagic EXS24
Emagic ES-2
Audioease thOnk
Cycling '74 PGS-1
Cycling '74 Shape Synth
Rhizomatic ABsynth
Native Instruments ABsynth
Native Instruments B-4
Native Instruments Pro-52
Native Instruments Reaktor
Waldorf Attack
Waldorf PPG 2.V
reFX JunoX2
Rumpelrausch Taips ZR1
Steinberg Model E
Antares Kantos
Hardware FX:
AMS RMX reverb
API 5502 equaliser
TC Electronics Fireworx multi-effects
Eventide DSP-4000
Lexicon PCM70/80/480 reverbs
Modified Boss Dimension C Chorus
Boss SE-70 multi-effects
Roland Dimension D
Roland RSP550 multi-effets
Roland SDE330 delay
Roland SDX330 chorus
Roland SRV330 reverbs
Roland SVC330 vocoder
Boss GL100 guitar driver
Innovonics compressors
Langevin passive equalizers
Quest custom analog mixers
Summit tube mic preamps
Plugins:
Audioease Altiverb
Audioease River Run
Arboretum Ionizer
Arboretum Hyperprism
Arboretum Hyperverb
Arboretum Vocoder
Arboretum Granulator
Emagic Phaser
Emagic Ensemble
Emagic Tape Delay
Smart Electronix Supaphaser
Smart Electronix Cyanide
Bias SFX Machine
Big Tick Hexaline
Big Tick Mabento
Big Tick Nasty Shaper
Bomb Factory Moogerfooger Lowpass Filter
Bomb Factory Moogerfooger Ring Modulator
Bomb Factory Voce� Spin
Bubu Ztyle
Bubu Warper
Cycling '74 Average Injector
Cycling '74 Degrader
Cycling '74 Feedback Network
Cycling '74 Filter Taps
Cycling '74 Fragulator
Cycling '74 Frequency Shift
Cycling '74 Granular-to-Go
Cycling '74 Mangle Filter
Cycling '74 Monstercrunch
Cycling '74 Moving Filters
Cycling '74 Nebula
Cycling '74 Noizckippr
Cycling '74 Pendulum
Cycling '74 Ring Modulator
Cycling '74 Space Echo
Cycling '74 Spectral Filter
Cycling '74 Swirl
Cycling '74 Swish
Cycling '74 TapNet
Cycling '74 Warble
Cycling '74 Waveshaper
Digidesign Lo-Fi
Digidesign Recti-fi
Digidesign Sci-fi
Digidesign Vari-fi
GRM BandPass
GRM Comb
GRM Comb 5
GRM Delay
GRM Delay 24
GRM Doppler
GRM Freeze
GRM Pitch Accum
GRM Reson
GRM Shuffling
GRM ST Contrast
GRM ST Freq Warp
GRM ST Shift
IK Multimedia Amplitube
IK Multimedia T-RackS 24
Intelligent Devices FireoBall
Line 6 AmpFarm
Line 6 Echo Farm
MDA Combo
MDA Degrade
MDA Overdrive
MDA SubSynth
MDA Tracker
Motu PureDSP Spectral Effects
Ohm Force Ohmboys delay
Ohm Force Frohmage
Ohm Force Mobilohm
Ohmforce Hematohm
Opcode Vinyl
Opcode Vocode
Opcode Filter
Prosoniq North Pole
Prosoniq Orange Vocoder
Prosoniq Pi Warp
Serato Pitch 'N Time 2
Shiny-FX Spectral Monkeyage
Steinberg Grungelizer
Steinberg Metalizer
Waldorf D-Pole
Wave Mechanics SoundBlender
Waves +L1 Ultra Maximizer
Waves C1 Compressor
Waves C4 Multiband Compressor
Waves Doppler
Waves Enigma
Waves MaxxBass
Waves MetaFlanger
Waves MondoMod
Waves Paz
Waves Q10
Waves Renaissance EQ
Waves Renaissance Reverb
Waves Super Tap
Waves TrueVerb
Software:
Blank Software Alchemy
Arboretum HyperEngine
Antares Infinity
BIAS Peak audio editor
Digidesign Pro Tools 5.1 Free and TDM
Emagic Logic Audio Platinum 5
Metasynth
Emagic Sound Diver synth editor/librarian
Interval Music Transfer Station
MOTU Unisyn synth editor
Samplifier sample transfer software
Acoustic sources:
Glass Harmonica
Prepared Piano
Tibetan Bowls
Fender Rhodes
Electric Guitar
South American flutes
Orchestral String Section
Numerous Vocalists and Choral Groups
The sea and the waves
Some rays of sun and shadows of the moon
home page: http://www.spectrasonics.net/instru...atmosphere.html
TRILOGY
Type : sample based synth
Trilogy is a brand new type of software plug-in instrument that integrates a custom three gigabyte core library of more than one thousand brand new Bass sounds, with a powerful user interface for creating your own unique patches. Trilogy can be used as a native plug-in instrument in hosts like Logic, Digital Performer, Cubase VST, Nuendo and Pro-Tools no sampler is necessary!
The real power of Trilogy lies within its layering concept. Beyond the core library of a thousand Basses, every patch in Trilogy has two layers that you can tweak individually. You can also immediately mix and match any of the layers in the core library together, and edit each one independently. Imagine the power of combining the sound of a real Minimoog� with a Fretless bass, or a Virus� with a TB-303�, or mixing the Microphone and Pickup channels of the Acoustic Bass right on the interface, or even combine the Upright with a sub-oscillator! There are over a million earthshaking combinations, and you'll never run out of options.
Trilogy is also one of the most powerful Bass Synthesizers ever made. In addition to gigabytes of high-resolution sampled vintage synth waveforms, and thick multimode resonant filters for each layer, Trilogy has the rare feature of analog synth-style Legato triggering and Glide that no other software samplers have. This capability allows for Synth Bass sounds that actually play like a vintage analog synth. This feature can also be used with any of the Electric or Acoustic Basses, for unique hybrid sounds. The enormous creative power of the Zone editing feature allows entirely different synth parameters for each key - all by simply touching the key and moving the faders!
Massive 3 gig core library
1,000 brand new Electric, Acoustic and Synth Basses, each with dual layers.
Mix and Match layers for over a million dynamic combinations
Earthshaking, Cone-blowing, Subsonic sound
Multi-dynamic (up to 8 way) velocity switching multisample articulations
Innovative 'True Staccato' sample-mapping, for realistic repeated notes.
Minimoog-style Legato triggering
Built-in auditioning system rapid load times
Easy to use built-in patch management system
Fully programmable
Total recall with your sequence
Multimode resonant filters for each layer, plus master filters
Three envelopes per layer for Pitch, Filter and Amplitude
Matrix-style modulation routing, four LFOs
Powered by custom 32 bit UVI engine
Cross platform plug-in compatibility!
home page: http://www.spectrasonics.net/instruments/trilogy.html
hey peter good update... oh and as you can see, i found the thread hehehe. thanks for all of the info.
Wow Peter! Nice update! Do you already have some of these synths? Or are they not out yet?
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