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-- just a general question to the music community and the dj's
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just a general question to the music community and the dj's
"what do you look for in a track"?
i was wondering mainly because as someone who makes tunes i often go for the personal approach.
i.e good basslines and riffs ect ect, i'm Crious as to what my peers look for is it the same or not.
or is it just about plucks and saw leads?
http://www.tranceaddict.com/forums/...19&referrerid=2
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| Originally posted by Domesticated http://www.tranceaddict.com/forums/...19&referrerid=2 |
It's a hard question to answer, really. I look for all different things depending on genre and mood. I mean, you don't look for the same pleasing elements in deep house as you would psy-trance. Is there a specific genre you're thinking of?
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| Originally posted by Guest In regards to your original post in that link, I know exactly what you mean. For me its percussion. Especially if I'm wasted. Its almost like the only thing I hear is the mids. Bongos, anything metallic. The bongo's in Danny Howells' remix of "Waiting For You" are a great example. I could listen to that loop forever...the longer it repeats the more I get sucked in. |
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| Originally posted by Domesticated http://www.tranceaddict.com/forums/...19&referrerid=2 |
thoe i'm guessing a dj must go about choosing tracks in a different way most will look at tracks as tools and save some cool shit for the end.
its just interesting how some people go for the drums whilst other go for key changes and basslines.
a track could have all those things so does that mean then they only like one area in that track and ignore the rest?
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| Originally posted by SYSTEM-J Not really the same question. Although there are plenty of exceptions to this, what I generally look for in dance music is a combination of rhythm and atmosphere. Tracks that are all groove are good to dance to, but rarely interesting to listen to, while tracks that have great ambience but no groove are good for the head while rarely exciting for the body. The dance music that really interests me is the stuff that hits that middle spot where you can just listen to it stone cold sober and it works just as well as in a club when you're mashed. I'm a massive sucker for music you can describe as "cinematic". |
Individual elements are just means to an end.
| quote: |
| Originally posted by SYSTEM-J Not really the same question. Although there are plenty of exceptions to this, what I generally look for in dance music is a combination of rhythm and atmosphere. Tracks that are all groove are good to dance to, but rarely interesting to listen to, while tracks that have great ambience but no groove are good for the head while rarely exciting for the body. The dance music that really interests me is the stuff that hits that middle spot where you can just listen to it stone cold sober and it works just as well as in a club when you're mashed. I'm a massive sucker for music you can describe as "cinematic". |
http://www.youtube.com/watch?v=PsPunA3vAYE
| quote: |
| Originally posted by SYSTEM-J Not really the same question. Although there are plenty of exceptions to this, what I generally look for in dance music is a combination of rhythm and atmosphere. Tracks that are all groove are good to dance to, but rarely interesting to listen to, while tracks that have great ambience but no groove are good for the head while rarely exciting for the body. The dance music that really interests me is the stuff that hits that middle spot where you can just listen to it stone cold sober and it works just as well as in a club when you're mashed. I'm a massive sucker for music you can describe as "cinematic". |
303's are awesome. Tribal drums kick ass. No supersaw is always nice. Organic sounding stuff is amazing.
I don't know about production to know what I like, but I know what I like when I hear it. 
sasha - wavy gravy.
so you intend on changing your musical style based on what a few internet kids say? pointless thread.
i just look for tracks with samples that "stick" (aka stand out). It does not always matter if a track is not an instant classic. Sometimes if they are a little on the empty or boring side, those samples that i liked will still be able to be used to layer in sets.
I look at the Dinky release on Wagon Repair (bought the whole album). Some tracks are really cool albeit not the kind of stuff that i would usually play. The samples are awesome in all of them though, and with the help of something else they can add a little originality to a dj set.
I especially look for tracks that I call the perfect "fillers". They are so rare that it is a real pain in the ass to find them. I mean tracks that on the one hand have as little break down as possible and not too much change of structure within, but on the other hand keep the energy level on a high entrancing level.
+1 on fillers.
I don't know
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| Originally posted by DEAD_MOOSE so you intend on changing your musical style based on what a few internet kids say? pointless thread. |
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| Originally posted by Guest lol you're the classic internet jackass |
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| Originally posted by Guest lol you're the classic internet jackass |
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| Originally posted by DEAD_MOOSE i suppose im sour because im an artistic thinker who requires a bit more gear than i can afford (being artistic and a bit deep means i struggle to stick with a dead end job like office work)...shame most grumpy bastards tend to be pidgeon holed into the failure / loser category by the happy go lucky numb nuts who fit in so well in our boring modern society....shame most grumpy bastards tend to be pidgeon holed into the failure / loser category by the happy go lucky numb nuts who fit in so well in our boring modern society...im guessing you are one of these pen pusher types who desperately tries to be a deep thinker and a musician. problems is, you will never be one and you know it. this must be why my topic offends you so much. |
Simon Patterson � Taxi (Original Mix)
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| Originally posted by SYSTEM-J Individual elements are just means to an end. |
then just say so
"my favorite element is big pictures"
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