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-- Reading the Crowd


Posted by d0odx on Jul-18-2002 23:38:

Smiley DJ Reading the Crowd

quote:
That's what is so important: the ability to read the crowd and give them what they want.
But there are DJs that think differnently about this. I heard an interview with Armand van Helden at MTV Ibiza and he said something like: i'm going to play what I want. If the crowd doesn't like it, they can f**k themselves and go somewhere else.
That's a shitty attitude for a DJ. If people reacted to a statement like this in the correct way, Van Helden would only be playing for (with) himself by now. Cause it's the crowd that makes up a party, not the DJ.



From another thread an individual said the above...and it got me thinking; How do you guys read the crowd? What are signals to do certian things?

For example (i have NEVER been close to doing anything live, and infact i dont even have tables yet, so this might sound totally off the wall) If you were spinning and maybe playing a track you thought was going to get people totally exploding down there, yet the general feel of the crowd is calm... What would you do? Try to put on another track that bangs harder to maybe get them going? or put something on next that is a little calmer/chill? Maybe the crowd is made up of a majority of people who are not into getting crazy, they like to flow.

Thats kind of a bad example/senario, but im just trying to explain my question a little better here.

SO, How do you read your crowd?!


Posted by Sinonick on Jul-19-2002 13:27:

i just don't think "hear the crowd" is the right word.

in some clubs most of the people have been there before, so the majority of people are probably into the same way of having fun. "read the crowd" mostly means "guess what they want after that one". it's more like trying to achieve a goal. the goal is to make them happy. they'll only be happy if you spin what they want...

i can't really explain this better, maybe someone else does. i'd love to read someone elses opinion on that.

there's one thing for sure...: people DO read the crowd!


Posted by DJ Charlie on Jul-19-2002 15:38:

Here's my opinion:

regarding club kinda parties...
People go out to have fun with there friends in general.
So those kinda people to don'T really care if you choose a song instead of an other one... and usually 80 % of the people down there they don'T know crap about music. Thats your job... to make them discover new tunes... One thing for sure... If you play some hip hop for a trance crowd... you wonT' make succes thats for sure.
just to say that whatever you do ...people are gonna party anyway.

but if you want to see the crowd jumping like crazy ..screaming your name... and all those kinds of things... well you need to to play one of the greatest sets you ever done in your life...
always give your 110%.


Posted by Vizay on Jul-19-2002 17:27:

I don't really think specific songs do such a difference....just throw them songs with much energy and I think you will have them dancing like crazy

the hard part is to know when to you should pick the softer songs and when you should pick the top parts but that often figures out when your'e standing behind the decks


just remember....if you have fun when your'e playing the crowd will most likely have fun too


[edit] ohh yeah forgot one part.....interact with the crowd....point at them, clap your hands with them...jump with them etc etc...

it might sound a little weird but it helps [/edit]


Posted by d0odx on Jul-20-2002 07:23:

so Vizay ur saying that u just play what u like and make sure its energetic...and the crowd follows?


Im sort of trying to understand how u guys grasp the emotion of the crowd and ride it?


Posted by Vizay on Jul-21-2002 00:31:

quote:
Originally posted by d0odx
so Vizay ur saying that u just play what u like and make sure its energetic...and the crowd follows?


try to pick tracks that is popular at the moment and also have that little extra energy......maybe it takes some practicing to hear what is right and wrong

then there's the simplest (spelling?) thing...watch how the people act....are there many folks out on the floor....how do they dance etc etc. (hope u get the point)


[forgive my bad english at the moment...I'm tirered and from sweden )


Posted by d0odx on Jul-22-2002 01:02:

Vizay got it.
thanx for the reply...

ps
ur english is fine... im from the US and not tired at all ... and ur english is probably better than mine hahaha
=)


Posted by Kurve on Jul-22-2002 01:09:

reading the crowd is not playuing what they want to hear ists producing a vibe they can get into ......a dj should play what he wants and not play tracks he knows other wants....dj should play from his heart....but producing a journey with a set ... a good dj will read a crowd by producing a certain vibe with the songs that gets the people going ...dj who can read the crowd can make a dance floor that is with only 5 people and in the first few tracks put the crowd to 50 or 100 ..... reading the crowd and being able to program a set to produce a vibe is essential .......djs also have to produce energy through the transitions of tracks meaning mixes ..this is another sign if a dj is good technicall..the transitions should keep the level rather then lower the level of the vibe...all these things are extremely essential to a crowd ...reading the crowd is also something u cant have someone tell u or learn from someone its usually u have it or no ..or u learn from experiance but some people juts have it in them naturally


Posted by -=Sky=- on Jul-22-2002 03:11:

quote:
Originally posted by TranceCluber
producing a journey with a set ...


well i dont know about dj~ing but as a crowd member this is what makes it a fun night for me......


Posted by trancearmada on Jul-22-2002 03:53:

quote:
Originally posted by TranceCluber
reading the crowd is not playuing what they want to hear ists producing a vibe they can get into ......a dj should play what he wants and not play tracks he knows other wants....dj should play from his heart....but producing a journey with a set ... a good dj will read a crowd by producing a certain vibe with the songs that gets the people going ...dj who can read the crowd can make a dance floor that is with only 5 people and in the first few tracks put the crowd to 50 or 100 ..... reading the crowd and being able to program a set to produce a vibe is essential .......djs also have to produce energy through the transitions of tracks meaning mixes ..this is another sign if a dj is good technicall..the transitions should keep the level rather then lower the level of the vibe...all these things are extremely essential to a crowd ...reading the crowd is also something u cant have someone tell u or learn from someone its usually u have it or no ..or u learn from experiance but some people juts have it in them naturally


I agree but at least 75% that are in there in the club don't know shit about music, they are there to just have a good time, so I think that you have to trough in some known tracks. So that people can get their moneys worth. Anyhow that's just my point of view.


Posted by Kurve on Jul-22-2002 04:07:

quote:
Originally posted by trancearmada


I agree but at least 75% that are in there in the club don't know shit about music, they are there to just have a good time, so I think that you have to trough in some known tracks. So that people can get their moneys worth. Anyhow that's just my point of view.


well thats it they dont have to be there for the music or know the songs ..but a great djs will play songs that they dont know and get the people who are there just for fun and make them dance till the break of dawn even though they dont even know who the dj is ....thats what a good dj can do ......Sander Kleinenberg did it here in springbreak .... the club was pakt with spring breakers ..mayb 80% of the people didnt even know who the hell he was ....but he had the club dancing like there lives were depended apon it the whole crowd stairing at the dj ...u know thats when the dj is in his groove..... and after i bet majority knew who he was afterwards.... and most people were there for him or the music just find some girls and party and sander just brought the vibe and made it a night to remember !!


Posted by Spin Doctor on Jul-22-2002 21:24:

quote:
Originally posted by TranceCluber
a dj should play what he wants and not play tracks he knows other wants....dj should play from his heart....


That�s all very well if you a top of the pile Super Star DJ. However the majority of us aren�t and at you local ritzy doing what you said just isn�t going to cut the mustard. If you span what you want at the local ritzy you�d get booed off the decks. (Incidentally Van Helded did, I think it was three years ago at Space in Ibiza for the very same reason.) Hell even if a top level DJ played at a local ritzy, as long as they kept their identity form the crowd they�d get booed if they just played what they wanted. At starting level people want to hear the cheesy commercial pap they hear in the charts and can have a bit of a shin dig to. In my opinion the reading the crowd part only essentially applies to the lower rank DJ�s. Once you get to a certain level � 90% of the audience will be there either knowing your own musical style or the club�s musical policy so won�t really be going unless they enjoy either or.


Posted by Kurve on Jul-22-2002 22:56:

quote:
Originally posted by Spin Doctor


That�s all very well if you a top of the pile Super Star DJ. However the majority of us aren�t and at you local ritzy doing what you said just isn�t going to cut the mustard. If you span what you want at the local ritzy you�d get booed off the decks. (Incidentally Van Helded did, I think it was three years ago at Space in Ibiza for the very same reason.) Hell even if a top level DJ played at a local ritzy, as long as they kept their identity form the crowd they�d get booed if they just played what they wanted. At starting level people want to hear the cheesy commercial pap they hear in the charts and can have a bit of a shin dig to. In my opinion the reading the crowd part only essentially applies to the lower rank DJ�s. Once you get to a certain level � 90% of the audience will be there either knowing your own musical style or the club�s musical policy so won�t really be going unless they enjoy either or.


i would have to disagree...first of all i spin progressive house but i wouldnt ever go and play in a hard house club ..cuz i know it would be too deep for them and i dont play anyting that would give out the same vibe as hard house.... i tell djs dont take ever gig that comes along make sure the normal audience is ready for your shit .... certain clubs u can play what is in your heart because you know the people are into it ......reading the crowd and programming is there even when your a big superstar dj u have to be able to do that ...cuz you cant just mix any songs together you like and just really read the crowd or program and see if this track gives a vibe that you think the crowd would respond well at that time.....big djs do it all the time..thats why some djs have shitty sets and good sets...if big djs didnt have to read the crowd then every set would be the same for the listener but people do saw this or that dj didnt have a good set then usually the vibe was created for that listener.... but you dont have to play cheezy shit or recognizable shit to create that...... and if a promoter of a club came up to me and said u can play at a club but i would have to play cheezy pop trance i would refuse his offer no matter how big of oppertunity it was ..but for me to change my style so people would like ..would go agaist who i was and make me just another typical cheezy club salsa dj who plays tracks that people know ...and thats not what kind of dj i was ..i rather not even get booked by clubs like that and have mayb one booking that digs the stuff i play and lets me program a set right for a crowd ..... and thats exactly what u should do if your not a big super star dj ...cuz if you arnt consistant no one will recognize your style or who u are.... but if you stick to what you love and perfect it in your eyes and program a great set with that then people will always have your name with what you play ...


Posted by Spin Doctor on Jul-23-2002 03:39:

quote:
Originally posted by TranceCluber
reading the crowd and programming is there even when your a big superstar dj u have to be able to do that


On the Top Jocks not needing to read the crowd � I didn�t exactly say that. I said: �reading the crowd part only essentially applies to the lower rank DJ�s.� I didn�t say it was totally un-involved. The major concern of the top jocks as you yourself said earlier is creating a flow or vibe, not reading the crowd. For instance if someone went to go and see...lets say Danny Rampling. If they go, 90%-99% of the people there are going to know what to expect in terms of the clubs music policy (i.e. Danny Rampling isn�t going to be playing at Gatecrasher) and the style of the DJ in question, which will be in and around the clubs music policy otherwise they wouldn�t be there. So Rampling playing at Babooshka isn�t going to have to go to the lowest common denominator to get the crowd dancing � they are there with an informed choice, besides the warm-up DJ�s have already done the hard work of getting everyone on the dance floor moving. Johnny 2 Decks the fresh faced bedroom DJ playing at the local Bar Club won�t be able to drop the music he wants to play. In order to get anyone to dance he�s going to have to play lowest common denominator music � the cheese. How�s he going to know what cheese to play? By reading the crowd. Reading the crowd is working out which tunes are acceptable to make people dance and which are not.

quote:
Originally posted by TranceCluber
i rather not even get booked by clubs like that and have mayb one booking that digs the stuff i play and lets me program a set right for a crowd ..... and thats exactly what u should do if your not a big super star dj ...


certain clubs u can play what is in your heart because you know the people are into it


I don�t know how things work in Germany but what you�ve said holds no argumentative ground in the UK. I wouldn�t mind playing at Bugged Out or BXR, but it ain�t going to happen if I start playing techno in the clubs I�m DJ�ing at the moment. And BXR and Bugged Out are NOT going to book me to play if I haven�t DJ�ed anywhere. In order to be able to get to the top ranked levels of super star DJ in this country these days your going to have to cut your teeth at one of the cheesy ritzy. Someone just doesn�t waltz along and say �ohh, I like you style come and play at our super club!� when your not playing out ANYWHERE. The decent clubs that will let you be more musically experimental and play your style won�t be available to the breaking through bedroom DJ who�s got no experience! The only way they�ll let you play there is if you�ve had live hours behind the decks. The only places where you can get live hours behind the decks that accept fledgling bedroom DJ (and get paid) are the Cheesy Ritzys. And if you want to see for your self come down to the English town of Aylesbury � spin some techno or tech hard house/trance (the music I want to play) and not the cheesy stuff and see the reaction. Not good. Also, If you want these entry level clubs to give you any form of reference to help you climb the club ladder you going to have to make sure you do your job and get the clients dancing � the way to do that? Reading the Crowd & Cheesy Chart Pap.

quote:
Originally posted by TranceCluber
just another typical cheezy club salsa dj who plays tracks that people know


A good 80% of DJ's are not the DJ Tiesto�s, Sasha�s, PVD�s, Dave Clarke�s, Lisa Lashe�s, Judge Jules� Pete Tong's of this world: They are DJ�s who are trying to get to the level where they can play what they want like the DJ's who I mentioned. Go up to one of those "typical cheezy club salsa dj's" and talk to them about what there playing - if you do I will almost gaurentee that a good 70-80% of them would play diferent styles of music given the chance - they just don't have that chance and are putting in the hours and effort to try and get ther.

Without meaning to be rude: I think your complacent attitude will not do you many favours in your DJ�ing career.


Posted by Kurve on Jul-23-2002 04:31:

well i dont live in germany at the moment i been living in Las Vegas USA for about 8 years now.... i been playing straight progressive house and got gigs and people know me as for playing such music and not other styles....if i do want to make my name have any type of creditablity i cant mix my genres as if a promoter had a control of me and said play this and this..... i dont know england but here i would have to agree u can get many many gigs by playing alot of styles but youll never have a style that people will know ur name is associated with...there are many other areas of getting play time....parties,raves,internet radio,etc....and there is always a fan base of what you play ....not everyone only digs cheezy glitz.... but for me if i had to go to a club and spin and i had to spin something i usually dont spin the few people who did come for me would be highly dissapointed .... i spoken to many djs they say dont take ever gig ..play your heart and play what you know best cuz thats what u can spin and program the best ...djing isnt a overnight successful career its something it takes time and patients ..thats why im no rush to get gigs in clubs that doesnt usually play my type of stuff..... i played a few clubs here in town and everyone digged my style and i made it clear what i spin ...i had more people dancing then the cheeze trance dj before me ...you just have a different opinion and i just htink u have to stick to your music and perfect it and grow on it.....many big djs did it that way and got up there cuz there name stood for a certain style or vibe they produced and being inconsistant really wouldnt do nothing for there name ... 1000s of djs do what you say and it doesnt bring them nothing mayb that one club residency for a year but how can u spin somehting the best u can if the music isnt really your style...and djs dont go anywhere with it ....its not about being a superstar dj ..cuz superstar djs arnt like celebrities they are more like u and me ... many big djs still have to go and get gigs them selfs they arnt getting them handed to them either ...a few of them might cuz of there more commerical know about ...but im not trying to be known by every person in the world ...i rather be appreciated just by the folks who do enjoy the music i spin and the style i spin thats what im going for .... or make new fans of what i spin ....but im sorry i will never change my style just cuz i would get more gigs at clubs that wouldnt really do anything for your name anyway



by the way ...if you were a metal band would u play in a country music venue??? i dont think so ...same goes about djing ...its all about sticking to your guns


Posted by Spin Doctor on Jul-23-2002 05:18:

quote:
Originally posted by TranceCluber
...if you were a metal band would u play in a country music venue??? i dont think so ...same goes about djing ...its all about sticking to your guns


If you were in a music band full stop � would you try and get as many gigs anywhere or aim straight for Wembley or say The Royal Albert Hall? (In case you unfamiliar with them they are top venues here in the UK where loads of high level performers have played.) The first gig your most likely to have is in a dodgy pub�s back room.

Anyway, lets agree to disagree on this one. I don�t think either of us will budge. At the end of the day were both in it because we enjoy the music. I personally think this difference of opinion stems from the fact that you�re living in a country where dance/electronica music isn�t really that big � don�t get me wrong I know it�s growing and isn�t exactly non-existent. Here in the UK dance music is much more mainstream. I honestly wish it wasn�t, in which case I�d agree 100% about what you said about keeping you style and sticking to your guns. IMHO it�s the commercialisation of the dance music in the UK which is ruining it. I�m sure most, if not all my fellow UKTA�s will agree with me on that one.



Posted by Ugg on Jul-23-2002 06:14:

quote:
if you were a metal band would u play in a country music venue???


LOL.. My first guitar teacher was a heavy metal guitarist that played in a country band. How's that for irony?

Seriously, though, I can see both sides of the argument. There are a lot of DJ's that are stuck playing cheese because they are trying to make a name for themselves. And there are a lot of DJ's that are fortunate enough to start out playing what they want in their own style. It seems to be a style vs. geographic issue: does your location support your style?

Spin Doctor,
Sorry to hear about the commercialism of dance music in the UK. It's like being in a cover band, you're stuck playing what people want to hear. As soon as you play something that YOU enjoy, the people get turned off. Having been in a band, I know that feeling all too well.

Fortunately, here in the US dance music is still somewhat underground. Although I can see a change for the worse just over the horizon. Then the movement will eventually eat iteslf and another underground style of music will emerge to take it's place.

The problem starts when money becomes more important than the music... but who can to stop that? I mean, we aren't going to just stop buying dance vinyls (or CD's) now are we?

"Do what you have to do, what you have to do..." (Max Graham - Tell You)


Posted by Spin Doctor on Jul-23-2002 13:37:

quote:
Originally posted by Ugg
Spin Doctor,
Sorry to hear about the commercialism of dance music in the UK. It's like being in a cover band, you're stuck playing what people want to hear. As soon as you play something that YOU enjoy, the people get turned off. Having been in a band, I know that feeling all too well.


Thanks Ugg, with that comment you stated what I was trying to get across better than I was managing.

I have to say in all honesty, in a way, I�m actually jealous of you guys in the US. Everything in dance music must seem so exciting and new. Most people don�t realise how commercially driven dance music is over here. For instance the Cream / Gatecrasher Mix CD�s get regularly advertised on mainstream TV. Go into any music shop and there are racks and racks of cheesy vinyl. The closest place where I can go to a decent record shop is possibly Oxford but in the main stay London! So I by most of my tunes online (Thanks www.juno.co.uk - I don�t think I�d survive without you!)


Posted by FuzzyGreen on Jul-23-2002 20:37:

Smiley DJ

I just want to say that personally I will do whatever it takes to get to where I want to be. If that means I have to play country at a local saloon, so be it. I landed a gig at a club here that plays mostly house and hip hop. I will gladly play there because, even though I don't really like hiphop or house(or all the ghetto people that will be there), it's still a slot, and there is a lot of house out there, I will just need to find the tranciest house I can find.


Posted by Kurve on Jul-23-2002 23:37:

quote:
Originally posted by FuzzyGreen
I just want to say that personally I will do whatever it takes to get to where I want to be. If that means I have to play country at a local saloon, so be it. I landed a gig at a club here that plays mostly house and hip hop. I will gladly play there because, even though I don't really like hiphop or house(or all the ghetto people that will be there), it's still a slot, and there is a lot of house out there, I will just need to find the tranciest house I can find.



i think most people are becomming a dj for the wrong reasons..... do you guys want to be a big super star dj and htat what drives you to be a dj???? or do you want to grow and become a better dj???...for me i dont care if im gonna be popular as PVD,Oakenfold,tiesto,etc... thats not why i dj ..... I dj souly on my love for this music and if i had to play another style just to get playtime that would just make it not worth my time to waste ..it wouldnt be fun for me... weather i get gigs or not ....Djing isnt really a career u cant live by just by djing many djs have second jobs......remember all the big djs now didnt become djs for the fact they would become a superstar dj ..most big djs when they started the dj role was just the dude in the background getting the people dancing and making the party more fun.... so non of them thought that there love of the music and there hobby would lead them to such fame ...they just did it cuz it was fun to them... and i think there too many djs now who become djs to try to get that status and forgetting about the main part of being a dj which is the love for the music and doing it souly for the music and not for fame. I think sometimes doing that will get u further then being like everyone else who is just wanted to be a super star dj ........just my opinion


Posted by Spin Doctor on Jul-24-2002 00:18:

I won�t lie; I do want to get to the top of the pile. However, the reason is I want to share the music that means so much with to me with as many others as I can. I want that total musical freedom where people are coming to see me play because they like my style that only really the top jocks command. Incidentally, the reason I firstly became a DJ was just to give a justification to my alarmingly large music collection. I would gladly DJ anywhere for free if it meant I had the musical freedom I mentioned. The only problem is that unfortunately it just doesn�t work like that. You�ve got to put in the hours doing the donkey work before anyone trusts you enough to take a step up the ladder. The higher and higher up the ladder you get the more and more freedom you�ll have.

We haven�t really touched on what I�m about to say next throughout this thread but what I will say is this; If you having trouble getting DJ slots anywhere, start promoting your own nights/parties. Here�s an outlet where you can be true to your own style and still get experience behind the decks. Only problem is, to do this you need some money behind you to start off with.


Posted by FuzzyGreen on Jul-24-2002 05:31:

Worm Popper

I'm not really interested in becoming the next PVD, Tiesto, or Oakenfold. But I am interested in getting my music played in front of people and eventually becoming the best Trance(or electronic) producer from the US. If that means I need to pay my dues getting experience DJ'ing something besides trance, then that's what I need to do. I think that reading a crowd is something that requires lots of experience and time, and that is essential to getting my foot in the door.



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