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Some upcoming Black Out Events....
Friday November 5th
CREATOR ALL NIGHT EXTENDED SET
Friday December 3rd
For the first time in North America
MONOLOC (CLR, GERMANY)
MONOLOC LIVE @ BERGHAIN 3 HRS SET
[[ LINK REMOVED ]]
and...
BLACK OUT NYE, Saturday January 1st!
with a special never seen before live act that will be revealed this week!
So spend your NYE with family and friends, and come party out ON Saturday! That's a freakin good plan ;-)


All pre-sale tickets for any BLACK OUT are ONLY 15$...
www.circusafterhours.com
Hearing Monoloc's last CLR podcast, his set will bring a new sound to blackout, pretty intense stuff for sure. I never used to appreciate that specific kind of dark until I heard him doing it.
Fuck I should definitely get my ass to a Black Out event..
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| Originally posted by corjay9 Fuck I should definitely get my ass to a Black Out event.. |
| quote: |
| Fuck I should definitely get my ass to a Black Out event.. |
waiting to be able to take nights off work when Black Out happens :P
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| Originally posted by KrinKer waiting to be able to take nights off work when Black Out happens :P |
I'm a stereo head, I guess that's why I haven't been to a Black Out night. Although I did thoroughly enjoy the Henry Saiz night at Circus a few weeks ago...
I wanna hear dark driving techno at 130bpm, who should I check out? any suggestions?
| quote: |
| Originally posted by corjay9 I'm a stereo head, I guess that's why I haven't been to a Black Out night. Although I did thoroughly enjoy the Henry Saiz night at Circus a few weeks ago... I wanna hear dark driving techno at 130bpm, who should I check out? any suggestions? |
We don't play 130 bpm, I don't like it.
I never go over 127 bpm.
But it doesn't get darker than what I do. or Monoloc.
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| Originally posted by Fran666 saturday january 1st... bo |
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| Originally posted by Ravemontreal We don't play 130 bpm, I don't like it. I never go over 127 bpm. But it doesn't get darker than what I do. or Monoloc. |
When you go on an 8 hours ride and you play as dark as I do, with some sounds that are distorted and raw, 130 bpm feels like 135.
By experience, 125-127 is the sweet spot for me to take people anywhere without burning them out. You stay sexy no matter how hard you play. You can just bop your head instead of feeling like your feet or your brain can't follow.
In Montreal, you can easily find yourself with an empty room at 6 am if you are not careful about making your crowd conformtable, and they are very sensitive to music that drains too much energy.
| quote: |
| Originally posted by Ravemontreal When you go on an 8 hours ride and you play as dark as I do, with some sounds that are distorted and raw, 130 bpm feels like 135. By experience, 125-127 is the sweet spot for me to take people anywhere without burning them out. You stay sexy no matter how hard you play. In Montreal, you can easily find yourself with an empty room at 6 am if you are not careful about making your crowd conformtable, and they are very sensitive to music that drains too much energy. |
It is easily explainable by the fact that 10 or 15 years ago we were ALL a young crowd. Today, even if we manage to convert a few young kids, the crowd can range 18-35. The old ones have already a lot of years in this scene. They are tired. If you lose the older ones, or the girls by playing too fast and relentlessly, you end up with an empty room.
Also, techno music was energy driven because it was bad music. Today, production level is much higher and much more enjoyable at lower bpm
| quote: |
| Originally posted by Ravemontreal It is easily explainable by the fact that 10 or 15 years ago we were ALL a young crowd. Today, even if we manage to convert a few young kids, the crowd can range 18-35. The old ones have already a lot of years in this scene. They are tired. If you lose the older ones, or the girls by playing too fast and relentlessly, you end up with an empty room. Also, techno music was energy driven because it was bad music. Today, production level is much higher and much more enjoyable at lower bpm |
steve, the drug of choice has changed and the music has followed suit.
the "i'm going to rave so fucking hard" mentality has been over for a long time, and the kids replacing us on the dance floors are used to slower music.
music is getting slower in other genres too...not just electronic music.
I love slower stuff, most of the tracks I have are 122-126.. because tracks at that speed have a groove, sexiness like you said...130's too fast for me for every day listening, but I had a hell of a lot of fun at Yoji in Toronto, even the opener Deko-Ze was playing some hard techno and it was a lot more fun then I thought it'd be, in an afterhours kinda setting. He was at 132-135 the whole night, maybe a little higher? But yeah, slower music is my thing.
Maybe I'll go see Creator.
deko needs to slow down and put a shirt on
go see creator. he is a good dj. he knows how to set a mood, and even though i might not be into his sound right now, you don't build a night on a local guy in 3 different clubs (yes he invites internationals, but you get my point) without him having a clue
when he sucked (sorry) the website carried him, but the website is gone, he is still going strong, it most likely means he is doing something right.
don't think i'm kissing ass martin, you need moar cowbell.
A lot of tracks on huge labels like ostgut ton, clr, sonic groove(my favourite) sound pretty crazy at 126-127.... when some of them are originally 130.
5 bpms in a club is nowhere near as noticeable as when you listen at home.
in a club you are there to get down, you aren't tapping your foot and looking at your watch
due hast mich du frag.
sven was one of the best aria nights ever...and to be honest the pills were the only thing that made his shoddy mixing bearable.
in a club you don't notice shit, you just fist pump like a jersey shore cast member on paycheck day.
lol what are you talking about, most people can notice a difference of 1 bpm as long as they have a general understanding of electronic music.
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| Originally posted by Zyklon_Jay 5 bpms in a club is nowhere near as noticeable as when you listen at home. in a club you don't notice shit, you just fist pump like a jersey shore cast member on paycheck day. |
Of course, I can feel the difference of what one single BPM can do to a crowd
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