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Odd Future
My friend's been telling me about these guys for a while now. I saw an article in the New Yorker about Earl and then I finally gave in and started checking em out. Anybody else been enjoying the same fresh new hip hop?
^on a track with pusha. validation for me, hahaha
i like my girls how i like my drugs, white. lol.
nah but i like them, alot of it is shock factor but i like that theire not always talking about their money and that they know what dissonance is.
i was feeling them when they first started getting popular. then as i listened to more of their shit i realized they were biting alot of old underground eminem and got turned off a bit. i found them to be a lil hackish.
I like the Pusha track, but only because I like Clipse.
The rest are shit.
I read this as "Odd Furniture" and was horribly disappointed 
This thread is now about Odd Furniture.

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| Originally posted by tubularbills I read this as "Odd Furniture" and was horribly disappointed |
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| Originally posted by Sushipunk This thread is now about Odd Furniture. |
| quote: |
| Originally posted by Sushipunk This thread is now about Odd Furniture. |

^no way am i getting in that. after i fall asleep it would fold back into a couch and pick its teeth with my bones
Please don't throw your clothes on the Breuer chair,
They're a good example of how DIY the music industry can be at this point, as long as you have a product that stands out. They laid down all the musical and marketing groundwork themselves, and four years later they're doing the festival/stagediving victory lap all over the world, performing on Jimmy Fallon, getting namedropped by Kanye West and having the video for "Yonkers" played all over mainstream music television. Quite remarkable for a group that only has a single one-shot deal on XL (Tyler's album "Goblin") to their name in regards to the "traditional" music industry. That they've pulled all of this off with the kind of messed up and off the wall hip hop they make is even more impressive.
Unfortunately, it shows in their content and behavior that they're still a bunch of kids. "Bitch Suck Dick" and similar stuff is just bog standard frat boy-ish stupidity, and they can't seem to shake off the creative cliches that keep tying them to guys like Necro. What I saw of their live show on a recent Roskilde-documentary left me unimpressed as well (four guys constantly shouting down the mic and randomly diving off stage mid song, while Tyler can't even finish off half his bars). Finally, if I was Tyler, I wouldn't be so hasty to diss Pitchfork and bloggers when you owe a lot of your global hype to them to begin with.
Clearly, OFWGKTA have a lot of maturing to do, and they probably need to do it fast if they're gonna escape the "flash in the pan via blogger hyperbole"-tag. The question is if this process of growing up will ultimately rob them of any edge they had to begin with.
In other words, they suck.
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| Originally posted by Sushipunk This thread is now about Odd Furniture. |
TAYLORGANG, SLEDGREN, WIZ
I'm on the MacMiller Donald Trump STEEZ repping ONLY NY Crack Funk all damn day baby
And of course in the ONLY SNAP BACK
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| Originally posted by Sand Leaper (four guys constantly shouting down the mic and randomly diving off stage mid song, while Tyler can't even finish off half his bars) |
I'm disappointed with hip-hop, in general.
No one makes me want to actually listen to them.
Except Theophilus London. I'm feeling him.
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| Originally posted by LAdazeNYnights I remember seeing Jedi Mind one time and they were awful. They didn't spit half the verses and there were over a dozen guys on stage doing nothing. This one guy, Sean P, had a mic but never said anything but his own name. |
Section.80 >
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| Originally posted by Renzo In other words, they have potential. |
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