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-- Plasma Future Presents_(l.s.g Outer Space) Oliver Lieb 3 Hr Set
Plasma Future Presents_(l.s.g Outer Space) Oliver Lieb 3 Hr Set
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PLASMA FUTURE PRESENTS_
L.S.G OUTER SPACE.
PROGRESSIVE & FUTURISTIC TRANCE CLASSICS
(CIRCA 1994 - 2002)
VERY SPECIAL GUEST_
L.S.G_OLIVER LIEB (BEDROCK) 3HR EXTENDED EXCLUSIVE DJ SET
&
GWILL MORRIS (MAIN ELEMENT / OGENKI CLINIC / SILVER PLANET)
PLUS RESIDENTS_
IAN WIRE (PLASMA FUTURE)
MARK PLASMA (PLASMA FUTURE)
PLASMA FUTURE IS BACK_!
DARKER, LOUDER, FUTURISTIC, NEW VENUE, AND MORE UNDERGROUND.
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EVENT IN:FO_
Plasma Future is Proud to present �L.S.G Outer Space� Featuring an Exclusive and Rare Extended Headlining 3HR DJ set from one of the Original �Pioneers of Electronic Music� Frankfurt born Production Legend & Multi tallented �Oliver Lieb�.
Not only will this be a rare opportunity to see �Oliver Lieb� behind the decks in the UK once again, but in a venue with this capacity & intimacy is something "very special" and never been witnessed before, a "MUST" see for all true Underground Progressive & Trance Fan's in the UK & Worldwide and something to put in your Clubbing Memories, alongside this Plasma Future is giving "Oliver Lieb" an extended 3HR DJ Set with the freedom and full control to play whatever he likes from his Legendary Record Collection alongside his own aliases including "L.S.G", "Spicelab" and "Paragliders" to name a few, as well as countless remixes & edits under his aliases that have shaped the Progressive, Trance and Techno scene on a Worldwide scale from the early 1990�s German Underground Trance & Techno Scene right upto today�s date, "Oliver lieb" continues to push boundaries and stay one step ahead of his peer�s with his unique imagination and Raw Talent as an Electronic Music Producer and amazing DJ, and long may it continue into the Future and Beyond.
Supporting �Oliver Lieb�and back behind the decks by popular demand from the Plasma Future Faithful is Manchester based Production genius and a bloody nice Chap! �Gwill Morris� a man who needs no introduction.
One of the most respected and talented Progressive Electronic Music Producers of all time here at Plasma Future we are once again honoured and privileged to have him on the line-up once again, he's back! And spinning a rare and exclusive Progressive Trance set, a perfect warm up to the evening im sure you will agree.
WANT TO BE PART OF HISTORY_?
THINK : L.S.G OUTER SPACE / SOUNDS FROM OUTER SPACE.
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DJ BIOGRAPHIES_
OLIVER LIEB.
Frankfurt based DJ & producer Oliver Lieb was born in 1969. Since 1988 he is involved in the production of electronic music. No matter if it�s Techno, House, Electro or just "electronic music�, within 20 years and the release of more than 250 singles including remixes for Faithless, Moby, Snap, Yello, Human League, Mory Kante, Utah Saints to name a few.
Oliver made it into the premier league of international Producers back in the late 90's. He always keeps surprising and amazing people with his extraordinary sounds and diversity. At the age of 14 he started playing bass in several Funk/Soul/Jazz bands. Oliver also got in touch with electronic music (Pink Floyd, Kraftwerk,Yello, Jean-Michel Jarre) and discovered a new and an endless horizon of expressing himself.
In late 1989 Oliver�s first record FORCE LEGATO�System� got released by Dorian Gray resident DJ Torsten Fenslau on his Abfahrt label. The single gained great worldwide reactions and almost hit the official German charts.
In the years to follow Oliver released everything in the electronic genres from downtempo and chill-out to hard experimental techno and trance. His project Spicelab on Sven V�th�s legendary Harthouse label established a platform for his highly appreciated sounds, which developed into one of the most important projects of the label including the release of three full length album releases.
Soon it was clear that Oliver�s creativity was far away from reaching it�s limits and as Oliver never wanted to focus on just one specific genre he simply created several pseudonyms for each of his different styles. His LSG and Paragliders releases on Superstition Rec. are still considered as one of the most influencing and timeless trance projects and were developed for more than 10 years and 5 Albums.
His maxis and albums got licensed on Hooj Choons, Yoshitoshi, Platipus, Duty Free, Magic Muzic and many others. After leaving Superstition in 2004 it was time for doing something new especially since the whole music scene went through big changes and somehow redefined itself. After locking himself into his studio to create new sounds and going into all kind of different directions Oliver announced the start of his own label �Maschine� in summer 2005 which is distributed worldwide by �Neuton� and online exclusively through Beatport and released his first single �Solieb- Circus Maximus� in July. The reactions were great and two more maxis followed until the end of 2005. Maschine is about to turn into a main source for high quality forward electronic music and grabs more and more peoples attention.
In 2007 Oliver started a new company doing mastering and cutting vinyl. After all this was a logic step since he is known for a very high sound standard on his own productions and so he added some high end analog mastering gear to his studio to guarantee sound quality enhancement also for his clients.
After the endless process of planning, constructions and moving in to the new studio and finally focusing on the new company he took a bit of a break from producing and djing -also to focus on a new sound and directions.
In 2010 Oliver started a new label Solieb Digital at Beatport to re-release his old music after re-mastering and polishing the tracks. So far his Recycle or Die release as well as Paragliders Lithium EP, two albums from Spicelab and just now the L.S.G. - Blueprint EP were released, LSG � The Black Album and many more are following soon.
Since late 2010/early 2011 Oliver has started working again on new productions. The first release Parallax was an exclusive track for John Digweeds Structures two CD followed in July by the Oliver Lieb - Epsilon Eridani EP - both on Bedrock.
After upgrading and changing his studio setup in Summer 2011 he also appeared as a remixer again starting with Ioan Gamboas "Butterfly Effect" on Somebodys Story Music. In January 2012 there was a remix for Davide Cali on Reiz Musik, followed in February by a remix for Microtrauma "Aktin" on Microtonal.
End of February 2012 was a mix cd out on Bedrock by Oliver Lieb & Jimmy van M. "The Audible Suspects" followed by a few original releases and to be continued.
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GWILL MORRIS.
Gwill Morris was thrust into the limelight of the music scene when he was picked by Mixmag as one of the "Stars for 2001". His Production alias "Main Element" is known to many, the first outings Hedfuk and Delta of Venus earning inclusions on Nick Warren's Global Underground Compilation as well as Lucien Foort's Singularity, not to mention Multitude of American Compilations. He followed that up with Fuktities on a smaller label " Midset" earning acclaim from Mike Truman "Hybrid" who proclaimed it his "Tune of Miami" in 2001. Since then his Production career has gone from strength to strength. Solo productions Generation, and Narcosis were well received, and production vocal number "Take Me Down" appeared on Sasha and Digweed Essential Mix from Miami, rumour has it that Sasha was overheard proclaiming it THE tune of the Delta Heavy tour, and not to forget the "James Holden" Balance CD favourite "Gill Norris - Forme". Remix offers soon after rolled in from Labels including Bedrock, Additive, Polyester, Vapour, Automatic and Deviant.
Other Productions credits include Ogenki Clinic - First Light / Kirei, with his partner in production crime James Holden, described by Mixmag as "The best Progressive House Tune Ever!". Ogenki Clinic mix of Ashtrax- Digital Reason took the Progressive & Trance clubs by storm worldwide. He was also part of the trio that Produced the much acclaimed Future Sound Collective.
Anyone who has seen him perform behind the decks will know that his ability is not limited to the studio. His career spans back for years beyond his forays into production : " I had been DJing for years before i started producing and still think of myself as a DJ first and foremost. I think it's what i do best." His Sets are consistently well Programmed and betray his ability to connect with the crowd : " I think DJing is all about watching and getting into the mindset of what the crowd are into, im not interested in DJ's who just play what they like and crap on about educating people. You go to a club to dance and have a good time". He varied tastes and tight mixing have seen him provide everything from Deep House to Progressive House, Trance & Techno in clubs including ( The Limelight "Newyork", Q-Bar and Zone "Melbourne", Sounds "Sydney", NO-UFO! "Berlin", Bedrock, Ministry Of Sound and Elements "London".
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VENUE IN:FO_
Keeping with the "Ethos" of "Plasma Future" and focussing on being an "Underground" Electronic Club night we all agreed at Team Plasma Future in Order to keep to the "Ethos" & Direction of the Brand the new Venue was Perfect for Future Underground Happenings.
The next �Plasma Future�will be held at �The Roadhouse� a Dark Underground Basement venue with a "Maximum" Capacity of "300" Clubbers and just a short walk from Manchester Piccadilly Station and the Northern Quarter district.
Benefiting from a Powerful Sound System, alongside a Unique, intimate, Dark Bunker style venue with a minimal Industrial Feel, and a fully Stocked Bar, here at Plasma Future we feel this is the perfect setting and new home for �Plasma Future�, and we are Confident the "Plasma Future" Regulars and new Faces to the Night will agree with the Move and look into the Future with us.
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TICKET IN:FO_
EARLY BIRD TICKET PRICE �7
STANDARD TICKET PRICE �10
SKIDDLE ONLINE TICKET OULET_
WEBSITE : http://www.skiddle.com/whats-on/Man...TS-OLIVER-LIEB-(LSG-OUTER-SPACE)/11680190/
*** DUE TO VENUE CAPACITY AND POPULARITY OF THE HEADLINE DJ / PRODUCER "OLIVER LIEB" THIS EVENT IS EXPECTED TO SELL OUT VERY FAST ***
DOORS_
11PM - 4AM
VENUE_
ROADHOUSE BASEMENT CLUB
8 Newton Street
Picadilly
Manchester
M1 SAN.
WE ARE PLASMA FUTURE_
NICE!
You'd better fucking go to this one, Matt!
| quote: |
| Originally posted by SYSTEM-J You'd better fucking go to this one, Matt! |
Yeah, I'll be at that as well.
So fucking excited for this. Still have to figure out the particulars, but it's damn well going to happen one way or another.
| quote: |
| Originally posted by Lews So fucking excited for this. Still have to figure out the particulars, but it's damn well going to happen one way or another. |
| quote: |
| Originally posted by Acton Where do you live, Lews? |
| quote: |
| Originally posted by Lews Well, I live in Seattle, but I'm going to be spending the fall studying in Oxford. Hopefully a few other cool things will pop up whilst I'm around - you ******s get all the good events! |
Argh. Just found out that Hernan Cattaneo is playing at Sound Control in Manchester on the same night. There hasn't been a decent night around here for two months, and soon as September hits you get two brilliant line-ups on the same night!
| quote: |
| Originally posted by SYSTEM-J Argh. Just found out that Hernan Cattaneo is playing at Sound Control in Manchester on the same night. There hasn't been a decent night around here for two months, and soon as September hits you get two brilliant line-ups on the same night! |
Yeah it is. Sound Control is a wicked venue as well. Would be awesome to see Cattaneo in the loft. Argh!
Go to PLASMA FUTURE.... You know you want to 
3hr of Oliver Lieb... Prog master Gwill Morris starting warming up... Mark Plasma and Ian Wire banging out hands in the air forgotten trance tunage. What more do you want
I will, don't worry. Went to the last one as well. I'm glad you've moved venues as well - I like the Roadhouse, and Dry Live never really had the soundsystem for loud dance music.
Matt, you better be there. I'm coming, and I'm from the West Coast of the United States. You have no excuse 
| quote: |
| Originally posted by Lews Matt, you better be there. I'm coming, and I'm from the West Coast of the United States. You have no excuse |
ROLL CALL & SET LISTS FOR SATURDAY ! CANT WAIT
PLASMA FUTURE PRESENTS_
L.S.G OUTER SPACE (SET TIMES).
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GWILL MORRIS : 10:45PM - 12:15AM
L.S.G OLIVER LIEB : 12:15AM - 3:15AM (3HR EXTENDED SET)
IAN WIRE VS MARK PLASMA : 3:15AM - FINISH.
DOORS.
TICKET BUYERS AND GUEST LIST IN:FO
All ticket buyers and Guest list names, the last entry into the venue is 11:45PM Approx.
If you are definitely coming on Saturday we advise the best thing to do is purchase tickets in advance to "Avoid disappointment" on the night at http://www.skiddle.com/whats-on/Man...TS-OLIVER-LIEB-(LSG-OUTER-SPACE)/11680190/
Come on then, how was it?
It was very good. Gwill Morris played a great opening set, ramped up the energy pretty quickly and kept it quite hard. The only track I remember knowing was Opus III - It's Going To Be A Fine Day. Lieb's set was roughly similar to his Cream Reunion set, but with an hour more to play with he used more tracks that weren't his own. He started off with an extended intro of spacey atmospherics before getting into some old school trance and techno (playing tracks like Zyon - No Fate) and built up into some big hitters of his own (Hidden Suns Of Venus, Dreamstate), then took it down into thumping and percussive techno before ending on a flourish of anthems. The last four tracks were The Ambassador - Fade, Netherworld, Lost Vagueness and Subraumstimulation. Took the roof clean off.
There were a number of niggling issues that kept it from being a perfect night, in my opinion. Lieb's mixing was rough in places, with some cueing errors leading to clangs that he didn't seem to want to correct. I also think he went slightly too deep into techno minimalism - while it made the epic ending of the set stand out even more, there was a 10-15 minute spell where he played a succession of extremely stripped down tracks and killed my buzz somewhat. And I thought the closing DJ got it totally wrong, opting to play full-on Gatecrasher supersaw fare, after three hours of pounding Germanic tech-trance. But that was only the last 30 minutes of the night, so no great loss.
I actually haven't heard many Lieb tunes out in a club before, and last night made me appreciated just how well mixed and produced his tracks are. Even the oldest stuff from the early '90s was absolutely pounding, with the clean hardness of serious techno combining with washes of trancey melody. I was particularly struck by how fucking good Aquilia - Dreamstate sounded. I've liked that track since GU:013 but always regarded it as quite a deep progressive track, but when the bassline came in on Saturday it absolutely destroyed the dancefloor.
The crowd and atmosphere were really good - everyone was bang up for it and very friendly. I got chatting to quite a few random people who I temporarily befriended over the course of the night. And honestly, the whole trip out was fantastic. Rocking up into Manchester Piccadilly on a Saturday night is always an electrifying experience, and wandering around record shopping in the sunshine the next day was an ideal come-down.
Awesome, it sounds like I missed out on a great night. I've not heard The Ambassador - Fade since Oakey played it at Cream about 11 years ago, what a track that is.
I had a friend who attended the Tangled gig, he said he had no regrets missing Lieb as he thought Hernan was amazing.
My Saturday was spent going through tunes, followed by a 6am flight from Manchester. The gig was awesome, warming up for Paul on a 25th floor terrace in the center of Berlin, in 30 degree sunshine was something very special for me.
It appears a good weekend was had by all!
| quote: |
| Originally posted by Acton Awesome, it sounds like I missed out on a great night. |
| quote: |
| Originally posted by Acton It appears a good weekend was had by all! |
Was a good night. He played a few songs I did not know. I also thought he extended too much on some parts, but the classic tunes like netherworld and lost vagueness really made it worth it. Also when i was there he played something that sounded like "John O'Callaghan - Stresstest (John Askew Remix)" which suprised me. It turns out it was " ambbassador- the fade oliver lieb mix ". They sound quite similar, still a good song
If someone finds a tracklist for his mix, post a link here plx.
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