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-- how did we allow this to become a hit?


Posted by LoveHate on Feb-19-2014 12:23:

how did we allow this to become a hit?

http://youtu.be/T9FpSHVkXEE can't find the embedded clip but its sander kleinenberg - this is not Miami this prog house DJs attempt at a cross over hit that kind of worked back in 2006, I mean you couldn't go to any party back then without hearing it , its so funny how certain music (usually ones that suck) are so time based because nobody would be caught dead spinning this or even listening to it in 2014, I'm sure not even sander himself.


Posted by Kilixpree on Feb-19-2014 13:05:

wtf this shit


Posted by Scoops on Feb-19-2014 13:12:

Re: how did we allow this to become a hit?

quote:
Originally posted by LoveHate
http://youtu.be/T9FpSHVkXEE can't find the embedded clip but its sander kleinenberg - this is not Miami this prog house DJs attempt at a cross over hit that kind of worked back in 2006, I mean you couldn't go to any party back then without hearing it , its so funny how certain music (usually ones that suck) are so time based because nobody would be caught dead spinning this or even listening to it in 2014, I'm sure not even sander himself.


I'm a huge Sander K fan....but I think it was around 2006 which started to mark his decline as a producer and 2008 we seen his decline as a DJ

the guy used to belt out some of the best prog around and his sets were a musical journey hitting on all genres...


Posted by Mr Game+Watch on Feb-19-2014 15:36:

I remember this guy used to be one of my favorite DJs around... listened to "This Is Everybody" and "This Is Everybody Too" to death, went to see him at Arc (my favorite club back in the day) and was blown away. But then I saw him in Miami in '06 and listened to some of his livesets from that time and they were unlistenable.

I can't believe he went from "Buenos Aires" and "Venus and Mars" to "This Is Miami" and then the followup "This Is Your Night". Guy seemed to drop off the planet shortly after that.

He went in the minimal direction when he would have been MUCH better and much more suited to going off going in a Luke Fair/Danny Howells type direction.


Posted by OrangestO on Feb-19-2014 16:01:

Re: Re: how did we allow this to become a hit?

quote:
Originally posted by Scoops
the guy used to belt out some of the best prog around and his sets were a musical journey hitting on all genres...


I agree. I enjoy listening to his old sets.


Posted by Scoops on Feb-19-2014 16:18:

quote:
Originally posted by Mr Game+Watch


I can't believe he went from "Buenos Aires" and "Venus and Mars" to "This Is Miami" and then the followup "This Is Your Night". Guy seemed to drop off the planet shortly after that.



Max Graham asked on Twiter for some requests not too long ago and I fired back with Buenos Aires...

he was like haven't played track in 10 years. I should start again. Miss that track"


Posted by Trance-M on Feb-19-2014 20:14:

That made me think of this one, which was amazing back then, which is why I'm not really disliking it:


Posted by lockedgroove on Feb-19-2014 21:03:



*tear*


Posted by Nobbie Q on Feb-20-2014 09:37:

Not sure why there's so much hate for Sander now. I've listened to his recent sets, including the one at BPM in 2013 and the boat cruise set he did in like 2011 or 2010 in Miami (it's at Be@TV) and I enjoyed them both. I saw him last at Ryze in Nov. and the man put on a solid set. It definitely went across different genres...guy went old school hip hop too and even played Grandmaster Flash- The Message near the end of his set. He played a proper set, with peaks and valleys, and didn't feel myself getting bored at any point. He knows how to construct a set which is more than what i Can say for some some these other DJs that seem to get hyped up so much. (Carl Cox, Sasha, Nicole M., have heard many go nowhere sets by these DJs)

I love My Lexicon and all of his old school prog stuff and yeah his production style has changed now but he can still make great tunes and you can't expect him to be producing old school prog in 2014.

BTW, he belted out This is not Miami at UMF Korea in 2012 near the end of his hour set lol...definitely was playing more cheesy but he had the main stage. Personally I felt he balanced it, and didn't play too cheesy.

Bottom line, I still consider Sander K to be one of the greats. The man can adjust his style depending on the venue etc. and I love the deep bass inpsired tracks he plays.


Posted by Daveyboy626262 on Feb-21-2014 16:22:

Yeah I don't know how this ever went mainstream at all!



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