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-- what scale should i learn?
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what scale should i learn?
not even sure about how any of this works... but can i learn a scale that will give me insight into how melody works?
there are lots of different scales, so what is the best one to learn? an integral one, and one that is especially used in dance music?
currently i just mash the keyboard and see what fits. it either sounds good or it doesn't, i have found out a good few chords and progressions, but i have no understanding of the theory. i don't think i need to learn everything - just getting the gist of it should point me in useful directions.
I strongly recommend learning the Piscean scales.
i don't like fish... or bad jokes.
Hydraulic
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| Originally posted by rubez ... or bad jokes. |
I have read tweets better than your thread.
am i in competition with twitter now or something?!
make your own!
Re: what scale should i learn?
| quote: |
| Originally posted by rubez currently i just mash the keyboard and see what fits. |
| quote: |
| Originally posted by rubez am i in competition with twitter now or something?! |
Well that depends... do you like analog or digital scales? Analog is more precise. I usually don't step on it everyday but more often cuz i'm loosing weight.
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| Originally posted by Innocence Lost Well that depends... do you like analog or digital scales? Analog is more precise. I usually don't step on it everyday but more often cuz i'm loosing weight. |
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| Originally posted by cryophonik The problem with analog scales is that they make everything seem phatter than they really are. |
| quote: |
| Originally posted by Innocence Lost Well that depends... do you like analog or digital scales? Analog is more precise. I usually don't step on it everyday but more often cuz i'm loosing weight. |
Octotomic. It is 3 better than a pentatonic.
Seriously, the first scale you should learn is the chromatic scale. Learn the notes and all the enharmonic equivalents (Google it). Here's a simple and more advanced version to get you started:

Worry about the other scales after you get the note names down.
Okay, some basic music theory. Like, this is 'your first day of music class' kinda thing.
A scale is a series of eight sequential notes played in order, and the specific notes selected are part of a key.
So. Ever seen The Sound of Music? Do re mi fa so la ti do. That is a scale. (Go listen to that--listen to the actual words; it's an educational song).
A key (or key signature) is a specific set of notes that go together in a certain way. The two basic divisions are major, which generally sounds 'happy,' and minor (which is what a lot of trance is written in), which sounds more 'emotional.'
Keys rely on patterns. Look at your keyboard. From any piano key--black or white--to the next key is always a semitone. So from A to A# (# means sharp) is a semitone. From E to F is a semitone. Skipping one key--say from A to B without stopping at A#--is two semitones, or one tone.
Major keys follow this pattern, in terms of the distances between one note to the next. Whatever note you start on, follow this pattern and you will have a major key:
Tone - Tone - Semitone - Tone -Tone - Tone - Semitone.
To use the simplest major key--the key of C (keys are defined by the root, or the first note the key starts on), that gives you:
C - D - E - F - G - A - B - C
You'll notice that's played on all white keys.
Minor keys* follow this pattern:
Tone - Semitone - Tone - Tone - Semitone - Tone - Tone
The simplest minor key is the key of A, which gives you these notes:
A - B - C - D - E - F - G - A
You'll notice that, again, this is on all the white keys. And you'll notice that C Major and A Minor use the same notes--they just start in different places. That makes Amin the relative minor to C Major. The fun thing about relative minors is that you could, for example, write most of your piece in A minor. Then when you want a change--maybe right after the break--you modulate your melody up by three semitones into C, which will suddenly sound happier.
(* there are different kinds of minor keys. The one we are talking about is the natural minor for simplicity's sake)
Learning music is a hell of a lot like learning math, specifically algebra: you learn the formulas, and then plug in the appropriate values.
The formulas for keys are:
Major: TTSTTTS
Minor: TSTTSTT
Knowing those patterns, you can now start anywhere on your keyboard, and build a key out of it. Once you have built a key--that is, once you know the notes you are going to use--you can then start fiddling around to build melodies within that key.
yeeeeeeee
You've got the basic gist of it down, but just remember that, although people tend to use "key" and "scale" interchangeably, they are not exactly the same thing. Many of the places where you've referred to "key" should actually be referring to "scale" (i.e., patterns or sequences of notes).
| quote: |
| Originally posted by deegee A scale is a series of eight sequential notes played in order, and the specific notes selected are part of a key. |
| quote: |
| Originally posted by deegee Keys rely on patterns. Look at your keyboard. From any piano key--black or white--to the next key is always a semitone. So from A to A# (# means sharp) is a semitone. From E to F is a semitone. Skipping one key--say from A to B without stopping at A#--is two semitones, or one tone. |
| quote: |
| Originally posted by deegee Major keys follow this pattern, in terms of the distances between one note to the next. Whatever note you start on, follow this pattern and you will have a major key: Tone - Tone - Semitone - Tone -Tone - Tone - Semitone. |
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| Originally posted by deegee To use the simplest major key--the key of C (keys are defined by the root, or the first note the key starts on), that gives you: C - D - E - F - G - A - B - C You'll notice that's played on all white keys. Minor keys* follow this pattern: Tone - Semitone - Tone - Tone - Semitone - Tone - Tone The simplest minor key is the key of A, which gives you these notes: A - B - C - D - E - F - G - A |
| quote: |
| Originally posted by deegee (* there are different kinds of minor keys. The one we are talking about is the natural minor for simplicity's sake) |
| quote: |
| Originally posted by deegee The formulas for keys are: Major: TTSTTTS Minor: TSTTSTT |
| quote: |
| Originally posted by deegee Knowing those patterns, you can now start anywhere on your keyboard, and build a key out of it. Once you have built a key--that is, once you know the notes you are going to use--you can then start fiddling around to build melodies within that key. |
i've never seen such a silly waste of energy for something that will not help you in any way unless someone put a gun to your head and you had to write out the notes of a scale without a piano.
This is stuff 4 year olds learn in a week.
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| Originally posted by cryophonik blah blah blah |
Re: what scale should i learn?
learn the C major scale....it uses 7 of the white keys on the key board......it has two half-tones in it...and 5 whole tones...
the first halftone interval occurs between E and F, the second one between B and C octave.......
the Cmajor scale starts with C and ends on B
C D E F G A B
https://www.basicmusictheory.com/c-major-scale
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| Originally posted by deegee 1) I was aiming for absolutely basic lies-to-children level of knowledge. (And that said I'm not convinced that rubez isn't trolling) |
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| Originally posted by deegee 2) TTSTTTS is, actually, a formula for deriving a key, as well as the pattern of a scale. |
See point 1 for why I'm right.
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