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I'm not claiming to be an all-knowing expert in such things (yet ), but from my experience it's a result of both mixing and mastering. The cutoff you're seeing at around 16k-17k Hz generally denotes the upper limit of hi-hats and/or shakers...any high sound that repeats a lot. Too much high freqs with these instruments can be painful to listen to since they're playing constantly, so I roll them off pretty sharply in the mix. Other parts can be fine at such high frequencies...filter sweeps, efx, etc, as long as it's not constant, you'll still want to roll them off somewhat tho if it sounds bad!
The rest of the question is taken care of in the mastering process. The secret to not dulling the sound with all this rolling off of high frequencies is adding "transparent highs." A pro mastering house most likely accomplishes this with a Pultec equalizer, which can both add and subtract frequencies at the same time. For the rest of us, the Waves RenEQ and Voxengo GlissEQ are both decent at adding pleasing high frequencies. You can't just use any EQ to do this however, as most will just sound harsh if you increase the high freqs. The last step for me is rolling off everything starting around 19khz so I don't get much content above 20khz.
And finally you can take everything I say with a grain of salt, since I haven't released any new tracks demonstrating all of this stuff yet! ...the tracks in my sig are old and crappy am learning all this stuff just the same as the rest of you!
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So many unfinished tunes to complete...
Latest track: Transformations
www.psyklolink.com
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