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Many producers have the problem that when only the rythmic section is playing it's dynamic and punchy, and as soon as other instruments are coming in (mostly the leads) it'll seem weaker.
Compression will help to make things fit better, but the main part will remain how you mix (as in balancing the levels) everything.
You should really look into the style of music you are making.
If you make folk music, everyting mostly revolves around the vocal. If you make rock, usually it's the guitar that's most important. In dance music (wether it be trance techno house or whatever) the music mostly evolves around that rythmic section. So basically you should build your track around that. Begin with setting your levels of the drum section and the bassline after that as those will carry the rest of the music (more than in any other style). You might want to go pretty extreme in that way, like "allocate" pretty much all the dynamics to those two parts, and trying to "squeeze" all the rest in what is left of the dynamic range. I suggest you take a look at "pro" releases. Look at how high the meters are peaking when only the kicks/drums/bass is playing, and look at how high they will peak when the music is at its loudest. You'll generally notice that there isn't so much difference... Take your conclusions.
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