hi. im new. my 1st post. into the same style of edm. will give my opinion on my KRK 'ST8'S' as i could'nt afford the active ones i got myself the passive ones. low down bass is pretty solid, if u crank them up quite abit the ports make a little noise, which is'nt nice, but that was before i rearranged my studio. i really did'nt need all that power. now the monitors are alot closer to me, so i do'nt need to power them 2 hard and get no port noise, they good for me. the 8''s are quite sufficient for bass if ur looking 4 that. actually over kill 4 me, could of gone smaller... hope this is of any use...

Last edited by sylenth on Jun-23-2008 at 21:15

These KRK's are pretty good. I found the Yamaha HS80M a tad better/more accurate though. I would definately recommend you to check those out as well if you can.

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quote:

If less is more think about how much more more would be. -Frasier

Event TR6/TR8

I think Yamaha HS80M or Events are a lot better. If you want to get KRKs, don't get the RP8s, they're the worst of the line - they sacrifice too much sound quality for bass. RP6s are reasonable. You could certainly do a lot worse.

I have not yet made it out to the store to listen to any monitors but I've heard good things about the KRK VXT6s/VXT8s. Personally, if the 6s sound good to my ears then I will likely be picking up a pair some time over the next month or so. I have about $1000 to spend and the VXT6s seem like a good choice. Anybody have other recommendations for that price range? I see a few of you mentioned the Yamaha HS80Ms...would two of these also be a good choice?

I've got the KRK 5's, pretty impressed but because of the small cone they obviously arnt too bass-heavy but you learn to compensate.

Will upgrade further down the line though.

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quote:

Originally posted by cenik I see a few of you mentioned the Yamaha HS80Ms...would two of these also be a good choice?

Yes, hence the reason they recommended them

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quote:

Originally posted by G-Con Yes, hence the reason they recommended them

Good point haha.

Maybe I should have asked whether anybody can think of some reasons why the KRK VXT6s would be/would not be a better choice than the Yamahas.

quote:

Originally posted by cenik Good point haha. Maybe I should have asked whether anybody can think of some reasons why the KRK VXT6s would be/would not be a better choice than the Yamahas.

As you'll find in all these monitor threads (that probably crop up more than any other thread) the suggestion that everybody will agree with is there is no bad/good monitor for everyone. I've read on here some people slate Event TR6's, others love them, some hate RP6's, others love them, etc etc.

They will tell you to go to your local store and try out all the ones you are considering. You will then, like me, ignore this and buy whichever one takes your fancy based on subjective opinions on here. You'll get them home, and probably love them as you have no real basis for comparison. Then you'll come on here and recommend them to others asking what to get.

I've got Event TR6's and I love them!!

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rp5 / rp6 are real good quality/price monitor speakers!

i got the rp5 and they are fine, as said, you need to compensate the slight lack of bass.

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quote:

Originally posted by cenik Good point haha. Maybe I should have asked whether anybody can think of some reasons why the KRK VXT6s would be/would not be a better choice than the Yamahas.

You would have to go listen to them yourself, I think. These monitors are quite a new model and most peoples comparisons would be out of date by now. When you're auditioning monitors, here are a few things to look for...

Monitors use ports (a hole in the cabinet) to artificially boost the bass. Very few monitors on the market are a sealed design. The down side of using too much porting is that the bass loses it's tightness. Instead of hearing a crisp "thump", you'll hear a sloppy "wump-uh". This is very important in dance music, as poor bass "tightness" will make it really hard to mix your bass well. To get an idea of what it SHOULD sound like, audition a pair of really high end monitors, such as Genelecs or Adams (they have the ports on the front). I wouldn't use Dynaudios as a reference point, as they are difficult to position well (rear ports) and most shops never do.

At this point, I guess it's important to point out that the Yamahas are rear ported... You can't put these infront of a window and they need to be at least ~50cm from the wall.

The next thing is linearity or "flatness" (even-ness between bass, mids and highs). Most people aren't used to hearing music through monitors and say "wheres all the bass?!?!", "wheres all the highs!?". Don't buy a pair of monitors based on what you think sounds good, because you're probably wrong. Again, the easiest way is to A/B between a pair of really high end monitors. If you notice the bass, mids or highs are boosted or lacking significantly, this is bad.

You can, however, compensate for poor linearity by knowing what your monitors are doing to the input. So, I would have to say it would be better to take a tight pair of monitors with poor linearity, than a sloppy pair of monitors that sound very flat.