Hiya I sent a remix im working on the the label and they said it could do with more going on in the low end and told me to listen to sean tyas about 2008 and try to go for that kind of sound.

Anyone got any tips?

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Processing a highly structured and complex pattern of sensory input as a unified percept of "music" is probably one of the most elaborate features of the human brain.....understanding how music is perceived and how it may elicit intense sensations is far from being understood.

You want your sub to have as much depth as the sub in the kick generally, get a good flow between them.. I usually filter the kick down or if I am playing two seperate kicks, one with sub, one with high, I solo the sub and the sub bass and make sure the energy transfers.. then after that I mess with the higher bass sounds

Can we have a sample?

Could be you shaved off the low end from the kick a little to much?

It depends really on the track imo.

Some tracks I won't cut the "mid bass" and will purposely even layer a harder hitting bass (low freq) underneath the mid so you can feel it punch around the kick. But if I'm doing a track like that, its very difficult to have an offbeat sub bass on top of everything to drive the beat further.

It usually gets muddy doing it that way. But if I need a sub it may just hit for 1 or 2 notes a bar, and I make sure to clear room from the mid bass when the sub hits. If I have the sub on too many notes then eventually the mid bass groove gets swallowed entirely by the sub cause you wind up clearing so much room from the mid, the mid disappears (even leaving the mids in I've found it will drown out). But basically layering usually always will do the trick with low end.

I remember a sean tyas "tutorial" someone had made where the bass was layered with sytrus, vanguard, and actually slayer. The guy had cut the lows on syrtus and vanguard, but kept the lows from slayer. The bass sounded identical to some of sean tyas work. I believe I found the tut on the flipside forums, if you have Fruity I could prob get it for you but it was def on of the closest to Sean Tyas I've seen, nothing was done but simply layering. And I never once considered using slayer for trance basslines till that day, but it did add a very unique distorted flavor to the bass.

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Sequencers: FL Studio 9XXL & Reason 3.
Main Synth Bass GTs - Pro-53, V-Station, Sytrus, Subtractor, Trilian, Blue, Sylenth & Z3ta.
Main Synth Lead/Pad GTs - Z3ta, Sytrus, Sylenth, Vangard, Albino & Nexus.
Main FXs GTs - Waves Plugins, Soundtoys, Volcano, FL Native FX.
Hardware - Truths, Echo Audiofire, Virus Snow, & Novation Xio Midi-Synth.

personally i would have an offbeat bass preset (quite a deep sounding one ) high passed around 80 - 100 hz compressed maybe with some release but sidchained to a kick with a short decay, then a mdirange offbeat bass low cut to around 500 hz and high cut to around 1000 hz less in volume tho, i would have a plucky bass sound probably a k-b-B-b( or a similar pattern) with some cutoff velocity changes to give it a more live feel and or volume velocity changes, this bieng sidchained too and i would put a filter on this maybe bandpass with some automation and maybe a high pass also just to let the bass of the preset in and out when extra omph is needed like on a small break etc, then i would have a distorted lead kinda sound coming in every now and then with some white noise and res init, with cuttof automation here and there the give it a wishy washey sound,, all together they seem to work for me with lots of more tweaking!

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if they tell you to listen to sean tyas as an example you should not be sending your music to this label

quote:

Originally posted by jupiterone if they tell you to listen to sean tyas as an example you should not be sending your music to this label

why? i disagree, i like sean tyas. his tunes at least alot of them did and still do sound awsome in a club imo.

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Why put the sub offbeat, why not sidechain, sounds much better IMO

quote:

Originally posted by sako487 Why put the sub offbeat, why not sidechain, sounds much better IMO

i did say sidechain it with some release on the patch, so the release is turned down in volume when the kick comes in, what you say would work tho with the right settings im sure, but i normally save that for more slower prog sounding tunes

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what i meant by my reply is i think there are better people to suggest for bass help than sean tyas. it doesn't even have to be club music, there are just better people to take examples from

quote:

Originally posted by jupiterone if they tell you to listen to sean tyas as an example you should not be sending your music to this label

I disagree also, this label have secured me international airplay and is run by some very intelligent and serious guys. Usually if they say its good it is, if not then I trust them.

Also who wouldn't want to write like sean tyas? His tunes are great, I hadn't even listened to him before yesterday but they are very well produced.

I did actually nail it by the way, well I say nail I mean I got something I am happy with

Sub K-b_K-b_ Sidechained

Mid KbBb KbBb with a really snappy patch with all the low cut off to about 150hz

Then another bass style patch I made over 4 bars playing a long note with a fast rising filter sweep from low to high then two more single hit notes with the filter open in the final bar again eq'd out all the low.

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Processing a highly structured and complex pattern of sensory input as a unified percept of "music" is probably one of the most elaborate features of the human brain.....understanding how music is perceived and how it may elicit intense sensations is far from being understood.

quote:

Originally posted by Sonic_c Hiya I sent a remix im working on the the label and they said it could do with more going on in the low end and told me to listen to sean tyas about 2008 and try to go for that kind of sound.

Do we really need more tracks that sound like that ?

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