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I like it, so far as a good foundation, but I think "less is more" might be the way to go. I'm not saying not to make it a massive tune. And a lot of what you have, I would keep. The synth progression coming in should stay very close, barring any major adjustments, to the way you have it coming in. The hi-hat wash (after the third, flanged/filter-swept layer is added) drowned out much of that, however, and I thought they should be reduced by around 6 or more db.
The way you have the synth line coming in kind of has a mysterious vibe to it - I like it. Keep developing it.
Great time to intro the bass-line which added, appropriately, to the groove with its presence.
The second layer of hi-hats seemed to have atypical timing with the rest of the piece, as though they'd been offset. In conjunction with the first, they might work, but I'd play around with that a bit more, to get the right feel. I was almost wanting more organic, lower-pitched hi-hats, throughout.
If you're going to keep the third layer, I would recess that, back into the mix.
I like this. I look forward to hearing future/finished versions.
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