at the love parade pre party pvd set. toward the end when he does the transition between Dick van nille - Outside, and Nu NRG - supersonik. how does he switch it up so fast? he switches the bass,middle and high almost instantaniously. maybe he used gains or crossfade?
i have these two vinyls and tried it. it sounded decent but im just curious on how he did it
he did the same in his transition from Massive filterheadz mix to veit - sky (i think thats the song)
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this is it.
Jun-06-2003 00:10
Dublin Guy
your ole one
Registered: Oct 2001
Location: downstairs in berghain
Practise makes perfect i guess then again its PvD (Genius!)
Jun-06-2003 00:24
Christopher B
The One and Only
Registered: Feb 2003
Location: Magnetic North
when pvD mixes he messes with the bass knobs a lot. At first it's difficult, but practice makes perfect.
___________________
"That's why I don't like Hard House, it's more about the tits than the music"
Originally posted by Starfox
pvd bassknob trixxx are the best!
Yeah, when PvD pulls it off just right, it's simply AMAZING.
A prime example is at his live@Cream at Amnesia Set.
The transition from "Let There Be Light (JS16 Remix)" to "Aloe P (Mr.Pink Mix)" is probably the most perfect, energetic live transition I've ever heard.
___________________
"That's why I don't like Hard House, it's more about the tits than the music"
- Dave Dresden
Jun-06-2003 03:29
tu_face
No Known Cure...
Registered: Oct 2000
Location: Sheffield, UK
Re: pvd crossover at love parade
quote:
Originally posted by Haunted
at the love parade pre party pvd set. toward the end when he does the transition between Dick van nille - Outside, and Nu NRG - supersonik. how does he switch it up so fast? he switches the bass,middle and high almost instantaniously.
kill switches
even a beginner can do it..
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MUGGETS
Jun-06-2003 12:54
Technaut
tuanhceT
Registered: Nov 2001
Location:
this is not kill switches my friend
Jun-06-2003 21:53
RNKMSX
tranceaddict
Registered: Jun 2003
Location:
running track: full bass/mid/treble
cued track: no bass/full mid/treble...
wait for an reversed cymbal or an upcoming snareline and in beat:
running track decrease bass immediately
cued track: increase it....
thats it. now slow decrease (for at least 16 or 24 beats) from running track.
nothin' more.
In the case of the Fritz Love Radio Set. 12-07-02 19:00 CET
Paul did it just i explained, but faded completely to the cued track
(Supasonic) when he increased the bass of the track. Dick van Nilles track came with a break of the beat, same effect as a reversed cymbal or snareline).
I was there and everybody in "Volkspark Friedrichshain"/Berlin was able to study that and even talkn to him...distance 1m...hehe
PvD often uses the Pioneer DJM500 or 600 (like at the Pre-Party). There is no kill switch
Btw: The failure while "Exor Part II" was a Red Bull can over the played record...
Last edited by RNKMSX on Jun-06-2003 at 23:35
Jun-06-2003 23:11
[mart]
PSN: mart_likes_fluke
Registered: Jun 2002
Location: England
quote:
Originally posted by Christopher B
Yeah, when PvD pulls it off just right, it's simply AMAZING.
Does he pull it off often?
Jun-06-2003 23:30
Choobak
i need my funk
Registered: Apr 2002
Location: NYC
quote:
Originally posted by RNKMSX
Btw: The failure while "Exor Part II" was a Red Bull can over the played record...
i was wondering what that was...
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mmmm.. delicious...
Jun-06-2003 23:48
Biz:erk
Senior tranceaddict
Registered: May 2003
Location: Londonderry, Northern Ireland
quote:
Originally posted by Christopher B
Yeah, when PvD pulls it off just right, it's simply AMAZING.
A prime example is at his live@Cream at Amnesia Set.
The transition from "Let There Be Light (JS16 Remix)" to "Aloe P (Mr.Pink Mix)" is probably the most perfect, energetic live transition I've ever heard.
Man that mix was quite short and a little fraction out imo. That cream amnesia set was full of good tunes but pvd was a bit off on the mixin all night? Dissapointing
Jun-07-2003 01:00
Haunted
one scary ass mothertruck
Registered: Oct 2001
Location:
quote:
Originally posted by RNKMSX
running track: full bass/mid/treble
cued track: no bass/full mid/treble...
wait for an reversed cymbal or an upcoming snareline and in beat:
running track decrease bass immediately
cued track: increase it....
thats it. now slow decrease (for at least 16 or 24 beats) from running track.
nothin' more.
In the case of the Fritz Love Radio Set. 12-07-02 19:00 CET
Paul did it just i explained, but faded completely to the cued track
(Supasonic) when he increased the bass of the track. Dick van Nilles track came with a break of the beat, same effect as a reversed cymbal or snareline).
I was there and everybody in "Volkspark Friedrichshain"/Berlin was able to study that and even talkn to him...distance 1m...hehe
PvD often uses the Pioneer DJM500 or 600 (like at the Pre-Party). There is no kill switch
Btw: The failure while "Exor Part II" was a Red Bull can over the played record...
haha good stuff
damn you got to see him spin live like that? thats a great chance!
how long does it usually take him to beat match songs that you saw?
and also when he was beat matching was he touching the platter (slow down) and pushing the record to speed up? or was he using the harder way of just pitch slider? just curious thanks!
