Lately when ive been mixing ive been bored of just simply get the beats matched, gradually bringing it in, and gradually taking out the out going track.
I find my self mixing a lot more progressive, because you can do more interesting stuff with it. Layering tracks on top of each other (to an extent), Adding samples in, and even scratching. Although im not too sure how good any of this sounds at the moment
On to the question, what do you guys do while mixing besides beatmatching? Regardless of the genre you mix?
Jul-14-2003 17:37
OzTiësto
Supreme tranceaddict
Registered: Jul 2002
Location: Canberra, Australia
Same shit really, once you've got the tracks close enough to beatmatched to be able to let em go together for about 16bars or so without getting too much out I fuck around with switching the bass etc, stuff like that, i'll scratch a bit in the cue but not much through the master, as....well, let's be honest, I can't scratch for shit really
Sampling's good fun if you've got the right tracks, or a CDJ.
Something i'm trying 2 do is find 2 tracks 2 "mash-up".....something different.
Trance you can't really do too much more, the way the tracks are strctured they don't allow you to do much more (hard trance is GREAT for doing shite over tho [dun worry, i dun like it :P]).
Prog, go for 1-2min mixes...go for phrases of mixing.
Also start key matching your mixes.
--djway
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Jul-14-2003 23:42
Chookie
AU.TA BITCH
Registered: Jan 2003
Location: Halfway between the gutter and the stars
There's not really too much more you can do with trance, sometimes I like mixing house.
1. It's much easier to mix than trance
2. You can fuck around with it heaps and no-one will care.
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If you can't be good, at least be good at it!
Jul-15-2003 01:00
Ghostface
down with the sickness
Registered: Mar 2003
Location: Melbourne
quote:
Originally posted by djway
Also start key matching your mixes.
I'll never be able to tell you what key a particular record is in, but through good track selection I know what will work with what and i think that's more important. But you are right, in that a beatmatched mix can still sound fucking terrible if there's clashing harmonies.
Jul-15-2003 01:07
escee
q1dm6
Registered: Apr 2002
Location: Perth, Australia
quote:
Originally posted by Ghostface
I'll never be able to tell you what key a particular record is in, but through good track selection I know what will work with what and i think that's more important. But you are right, in that a beatmatched mix can still sound fucking terrible if there's clashing harmonies.
Same here. There is no way in hell im going to find out the key for all my records, but you just know what works.
Jul-15-2003 01:21
Psygnosis
Obliterate then Stabilize
Registered: Jul 2002
Location: Sydney
quote:
Originally posted by escee
Same here. There is no way in hell im going to find out the key for all my records, but you just know what works.
well through continuous listening to the same record, you understand the record more and more i guess. You'll will get the hang of what records DON'T and what record DO go with whatever record.
You can always just mix the song out gradually at around the file part of song, at around 56 seconds at 138 BPM. obviously this would be a shorter mix but atleast its not going to clash with any big melodies or anything
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Last edited by Psygnosis on Jul-15-2003 at 02:24
Jul-15-2003 02:14
dj_pulse
tranceaddict
Registered: Feb 2003
Location: Sydney, Oz
quote:
Originally posted by djway
Sampling's good fun if you've got the right tracks, or a CDJ.
Something i'm trying 2 do is find 2 tracks 2 "mash-up".....something different.
Trance you can't really do too much more, the way the tracks are strctured they don't allow you to do much more (hard trance is GREAT for doing shite over tho [dun worry, i dun like it :P]).
Prog, go for 1-2min mixes...go for phrases of mixing.
Yeah yeah.. Mash-ups are the way to go.. I've been throwing down breaks with prog/tech house to create some cool funky tracks.. Been working on doing a few tracks at home like that and burning the mash-up to cd.. That way I can play it out without worrying about mixing it (cause I like doing whole song mixes, so I have to beat-match in about 15-30 seconds and hold it for like 4-5 minutes.. I can do it sometimes, but don't want to risk a mega-trainwreck when I'm playing out!)
Here's one to play with...
Lamb - Sweet (Lee Coombs Vocal Mix) / Plump DJs - Scram .. They were made for each other, I swear!
Jul-15-2003 02:28
Slade
Cosmic Interlude
Registered: Jan 2003
Location: Perth, Western Australia
Registered: Jun 2002
Location: Melbourne, Australia
party tricks, stops, spin backs scratchity scratch =p
um, time to invest in an fx unit? *shrug*
maybe the music is boring you a lil? incorporate a variety of other stuff into ur mix. personally, i'm headin towards where dj pulse is.
tek-house, tek-trance and exploring nu skool breaks
dirty dirty bass. that's where its at!
edit: dont forget accapellas
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Jul-15-2003 04:35
escee
q1dm6
Registered: Apr 2002
Location: Perth, Australia
haha i wish i was as cool as you slade
Jul-15-2003 04:35
escee
q1dm6
Registered: Apr 2002
Location: Perth, Australia
quote:
Originally posted by JayKuE
maybe the music is boring you a lil? incorporate a variety of other stuff into ur mix. personally, i'm headin towards where dj pulse is.
tek-house, tek-trance and exploring nu skool breaks
dirty dirty bass. that's where its at!
i dont think its the music thats boring me, the fact that when ive got them matched i stand around and do nothing, if i was playing out maybe i could go hit on girls or something, but the eq knobs != girls
