|
Ok, this time I hope my message comes through.
It depends on your workflow. How will you use the mixer?
Is it only for basic routing from your instruments to your audio interface (creating submixes if you haven't got enough inputs), or routing back to a recorder?
Or will you really use the mixer full fledged in the mixdown : mixing your tunes analog instead of in the sequencer app (like each track gets it's own mixer channel).
If it's the first method you don't need as much AD/DA i/o's as you have mixer channels... 8 i/o's will usually do. On the other hand, if you want to do your mix the analog way, yes you'll need the full load (and for good quality convertors, you'll pay big time).
Another method that's pretty much used is digital multitrack recorders though (good ones are from Mackie, Alesis or Tascam). You could transfer your tracks from your sequencer to the recorder (usually 24 tracks per recorder, there are units that have more, but again, big bux) digitally (usually through ADAT). And then your recorder is connected with it's analog outputs to the mixer, so you can mix (actually a 24 track approach is quite nice, you still leave 8 channels on your mixer for effect returning. You get more control returning an effect on a channel than on a dedicated return).
Of course for best versatility I always recommend a patchbay. If you're dealing with big studio's (which you obviously intend, judging by all your questions) a patchbay is necessary, otherwise you'll spend half of the time behind your gear recabling...
|