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As a really simple example, if you're playing A,C,D,E on the melody, try playing it with A in the bass for a while, then shift to maybe lower F in the bass. Then maybe try going down to D or whatever. It's good starting on A because then any of the white keys on your keyboard (or key editor) are fair game.
You probably don't want to just play the notes of the chords as your melody, you'll get a pretty simple arpeggio. The beauty of melody comes from building tension, and tension is created by playing notes that aren't part of the main triads. For example G and B are good tension builders for a bass root of A.
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Monsoon - Astrosurf
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