mess with the eq. search for the eq topic. whole chart of equing and what each freq. does. that will help

and mess wtih some effects to bring it out more.

I thought it might also help to say I made it in fruity.Is there anything better than the 8 band eq in there?That one misses the frequncy im trying to alter.

As for your reply inferno.I went to that post and due to the fact there are so many programs used its kinda worthless but I do appreciate your reply and help in this matter.

how is that worthless? it gives you a universal ballpark for eq editing. more like priceless.

http://www.reasonstation.net/tutori...ilation.phtml#8

one of the most valuable tools you have is your eq, and this chart.

Damn, that chart is usefull...

As I suck with my EQing, hope that'll help me out a bit..

My appologies enferno I thought you were talkin about a different thread.That chart does seem like it might come in handy.

word

bringiing out the midrange is simply a matter of doing the mixdown right

analyze your track and try to find out wich instruments that use the midrange the most...then carefully EQ theese right and it should do the trick

just remember, analyzing your track over and over again is the key to success when it comes to getting that perfect sound

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Originally posted by davedresden i suggest getting the gabriel & dresden prog-a-minute. in 3 easy steps you too could change the face of dance music. batteries not included. - dave

allrighty I did a few things and brought out the midrange including

I eased up the compression on the master and got another compressor over the bass which was overtaking the mids
I adjusted the eq slighty for the midrange
I turned up the instrument itself like one notch

I feel this is the first song I have taken the time to do this slight adjustments with and now relize that many sight adjustments make a pretty big change.Im replacing the old with the new so if you guys can give it a listen and tell me if you notice a difference that would be really cool.

many small rivers...

another fast tip, don't use a compressor on the master, compress every instrument by itself instead...

masteringengineers hate when you do a compression on the whole track (now you might not get this one mastered but it's always good to get rid of bad habbits )

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quote:

Originally posted by davedresden i suggest getting the gabriel & dresden prog-a-minute. in 3 easy steps you too could change the face of dance music. batteries not included. - dave

I don't know if its my crappy hearing or what but I can't seem to notice the effects of a compressor on a single instrument.I think I might start a new thread called the magic of the compressor so I can get a basic idea how to use it properly

search on the subject instead, l0ots of good info has already been posted

but good compression won't be heard...f.ex. a compression on a synth will be very gentle because you don't want the sound to loose it's dynamics (as you might now, much compression = big loss in dynamics and vice versa)

the compression on a synth is simply there to prevent it from clipping if it has some sudden peaks...

a compression for a synth might look something like -1db to -2db threshold and a 2:1 ratio

the hard thing with a compressor is that you don't always hear the result as you do with f.e a reverb or an EQ...you just have to trust that it works

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quote:

Originally posted by davedresden i suggest getting the gabriel & dresden prog-a-minute. in 3 easy steps you too could change the face of dance music. batteries not included. - dave