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Personally I always go for mixing entirely in the headphones, but with split-cue OFF. I find it easy for me to match beats as close as possible when they are overlapping each other right into my head, and I can do this without having to turn the volume up to 99% as is usual with headphone/monitor mixing. I don't know if this is true, but I heard once that DJs tend to go deaf in one ear when they use the monitor to cue because it's so loud and they have to turn the headphones up all the way to balance it.
As for split-cueing, I've only enabled it a *few* times when I'm having a lot of trouble finding the beat, like perhaps when I'm mixing in a track that's on a really overplayed vinyl and the kick has been softened to more of a thud than anything else.
Mixing entirely in the headphones is also great for reducing phasing problems in the kicks. I know this is going probably going overboard, but I've noticed that everytime I try mixing using headphones/monitor, one of them will be off sync by about 5-10ms, althought the pitches are set just right. I've gotten used to correcting this by making sure that the track playing on the headphones is nudged ahead by that amount to counter the slight delay before fading it into the mix. Just a small tiny technicality but there's nothing more annoying to me than a mix that sounds like the kick has a cold. =)
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-DJ Virgen
A track I'm currently working on.
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