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if you have shit vocals then no amount of FX will make them any more than shit vocals.
for example.
if you have this sample of a soul vocalist singing 'OOOOOOOOOOOOH BABEH IM DYIN''
then you can dress it in the best fucking reverb in the world, with the best motherfucking slapback delay and have it processed by the best studio engineer in the world.
but the bottom line is, you have a turd of a vocalist singing absolute pap. but its just produced really well.
if the samples are produced shit. then you can dress it up in amazing effects and treat it with post processing but depending on the actual quality of the wav file (please god dont say its a low bitrate mp3), it may or may not be savable. there are many cheapo freebie vocals i dled from breakbeat paradise which i consider unusable for the purposes of writing songs with because the bitrate is too low. theres too much hiss and they more often than not sound muffled. you got next to no headroom out of them so they distort real easy. and they just plain sound rubbish.
if you wanna try though, add a touch of SIR reverb (free) using the lexicon PCM91 hall impulse responses from noisevault.com. thats an amazing reverb. maybe a touch of your native delay and a little EQ so it sits better in the mix. other than that i dont really know what else to add.
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