Hey all .. i'm back with a progressive tune .. this is a demo of the track coz i'm talkin with some labels about it

Track Name : Pharaonic Legend
Producer : DJ KaRiMNeT a.k.a System K
Quality : 192 KBPs
Length : 3:43


Clip Updated

Download :
http://hesham-abdelmegid.info/karim...Legend_Demo.mp3


all comments are welcome and apperciated

Regards,
DJ KaRiMNeT a.k.a System K

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Last edited by DJ KaRiM NeT on Jun-06-2005 at 02:03

hey karim!

i´ve got the impression you produce all day! everytime i come over here, there's something new from you!

u've got a nice use of percs in this one! maybe i'd increase the volume of the pad at the beginning of the sample...
also the melody is too low in volume, imo...it's because the percs are very dominant...shouldnt be a big problem to solve...

all in all i think it's pretty good! with some more work on eq and variation this could turn out great!


// Lars

Hey man, i must say, alot better than some of your other stuff I've heard, you really got it down with the purcussion now as Klangzentrum mentioned, the lead should be brought up a bit and the pads a little louder, other than that, superb work chap

Cheers

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~ SGF's MUSIC ~

Nice track. Try adding some more atmosphere and variation in the percussion. Mastering is good.

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Klangzentrum
Thanx for listening m8 and about the volumes it is easy 2 do
and i'm glad you find me an active producer


Dj Radman
Thanx for listening dude and i'll adjust the volumes as said above

alanzo
Thanx for listening and about the variration it is variated but just you listened to a demo u Know .. and the atmosphere i think will be better by adjusting the volumes a lil bit

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pretty nice work mate, and original

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Thanx alot dude and i'm glad you like it

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pretty nice work mate, glad you fixed some things in it i mentioned before, nice unique deep track,

good luck with labels!

keep up the good work, mate!

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//Aneym.com Staff

haha oriental progressive trance i like it...altuogh i suggest changing that darbuka sound the bass sounds hmm too thin which means i cant feel the "HEAVY" feeling , the subbbass...good mixing and atmosphere try to work on a low-subbass

nothing more to add

goodluck

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P i l l o w - O n e AYE!

I'm going to give you a quick technical overview while I have a spare moment, just because I can.

Overall, your mix is lacking insterest to me, mostly in that things just seem to drag on. You need more punch, so try compressing the kick with a longer attack time to add more dynamic movement.

The bass could come up in level a bit, and could perhaps also sound punchier. With everything sounding as smooth as it does now, there's no real distinction between any of the instruments, hence no dynamic interest.

You'll have to work on mixing, particularly give each of the instruments their own space. Everything sounds so blurry and washed out, especially in the z-axis (back to front). I feel you could use more reverb on the pads to separate them apart more from the instruments near the front of the mix (kick, bass, etc.).

Perhaps try giving your leads some more presence around ~5 kHz, to give them that extra edge and just to let them sit on top of the mix a bit more rather than being so lost inside it.

Pan some sounds a little more to the right too (some of the percussions perhaps?), as your mix is fairly off balance at the moment.

And watch that muddiness level. Use high pass filters to give the kick and bass more breathing space, and just to separate the padding more from the synths.

As I mentioned before, everything just sounds too washed out, without any things standing out to make this interesting for me. The melody entering at 2:41, for instance, has a similar reverb setting to the backing pad, in turn placing it at the back of the mix. It creates too much sound at this point on the z-axis, whereas ideally you want the lead, being the focus of the track, to sit closer to the front. I want to hear a memorable melody singing to me, rather than being washed into the back of the mix where it's barely audible.

Of course, none of these points will apply if you used them for an artistic reason, but I just feel they are some of the things that would make this work better.

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Put an end to the loudness war. Don't limit or compress your mixdown until mastering; leave the master channel alone.

Contact me for mastering.

Thanx Peter and i'm glad you liked it

Perry
i like how the percs going now and i'll see if i can tweak the bass a lil ..

Atlantis-AR
Really thanx for this technical review .. i'm not a guru in mastering but i will do my best and thanx again this is really helping

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quote:

Originally posted by DJ KaRiM NeT Atlantis-AR Really thanx for this technical review .. i'm not a guru in mastering but i will do my best and thanx again this is really helping

Hmm, nothing to do with mastering there - it's all mixing.

I know I have a tendancy to make assumptions while explaining stuff though, so let me know if there's anything you don't quite get. When I said "use high pass filters to give the kick and bass more breathing space", for example, I obviously ment to apply these filters to all bass-independent instruments, which I suppose could be a little unclear if you didn't realise the potential of high pass filters.

From a technical standpoint, basically just try giving each of the instruments more breathing space and definition by separating them apart more either through volume (including compression), equalisation, or reverb.

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Put an end to the loudness war. Don't limit or compress your mixdown until mastering; leave the master channel alone.

Contact me for mastering.