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subractive eq is more important than additive......remove offensive freqs before you start adding frqes to pump up sounds.....carve eq holes so that instruments occupying the same freq spectrum will have their own indentity or "hole" as someone said earlier...
sub bass is a major issue......cutting with a hard knee at 40-80 Hz or lower can be great for a bassline still having it's umph but not making yr speakers fart.......soloing and unsoloing combinations of mixer tracks will also diagnose what insts are fucking each other and furthermore how they should be eqed....
ps is that really you in that picture...? you're one cute looking trance producer. ; )
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