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harcourt
Listening to the sounds

Registered: Mar 2001
Location: Toronto
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Nov-08-2001 18:19
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Dmatrox
something goes here?

Registered: Jul 2001
Location: Calgary
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Nov-09-2001 01:08
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Gluegun
Headphone Addict
Registered: Jul 2001
Location: Lexington, Kentucky
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Hey, the guy at www.r3mix.net did a test on this....
And, really, there are two things you can do to test mp3 quality.
You can test what type of artifacts the encoding process used ADDS, and trance is REALLY good at letting you test this
and you can find out what they audibly take away from the sound.
The test at the www.r3mix.net forums tested the former, using trance... but, if, say, you were comparing an mp3 to a direct recording of a lot of actual sounds, straight from a mic (eg, one you would use as a sample, or, *gasp* classical or jazz), that would be testing the latter. And, lemme tell you.... going from audiophile-quality LP's of live, unamped, recorded music (which is basically what the millionaire-audiophiles spend all of their money on...getting a system that will reproduce that...) well, let's say that mp3 takes away a lot...
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Nov-09-2001 04:01
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Gluegun
Headphone Addict
Registered: Jul 2001
Location: Lexington, Kentucky
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BTW, I was talking about the difference between 320 bit mp3's on the best ways of encoding them compared to other ways of reproducing sound; I was saying that the maximum potential sound quality of MP3 is not equal to CD or XRCD, and isn't even close to SACD or the god of them all, LP.
Not the keyword "Potential" before sound quality.
Last edited by Gluegun on Nov-09-2001 at 04:40
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Nov-09-2001 04:27
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Paul Wilson
Guest
Registered: Not Yet
Location:
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Looksas if the bastards from prohosting have killed my account! I'l try to find somewherere else. The track I was using was Binary Finary "1998" (Matt Darey Remix).
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Nov-09-2001 09:46
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Gluegun
Headphone Addict
Registered: Jul 2001
Location: Lexington, Kentucky
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I'd just take some big, long, piece of music that I have a lot of experience with that has a big frequency range and lots of layers and lots of sampled instruments, install that audiophile-quality sound card lying over there (*points at the Turtle Beach Santa Cruz*), rip the thing as accurately as possible as a *.wav, familiarize myself with it, and change it into mp3 a dozen different ways.
Then do a test actively comparing it to the origional, using my kickass studio monitoring headphones (Beyerdynamic DT831's, $260 USD, baby! Used for $130!) and my headphone amp, plug them into the sound card, and write down my thoughts, listening for this and that.
Then, using a good mp3 player's randomizer function (www.r3mix.net talks about how mp3 players differ, i'd have to pick up a good one), I'd describe how each sample sounds different, and THEN match up my descriptions to the samples.

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Nov-10-2001 02:25
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