Go through the tutorial and read the manual.

If you follow the toutorials i'm sure that you'll be up running in a couple of hours...

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Speactra - Desicions

http://speactra.blogspot.com
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quote:

Originally posted by wood0292 Go through the tutorial and read the manual.

actually not helpful at all because the manual doesn't discuss half of his questions. if you go to the ableton website though, the forum has already answered 2 or 3 of those.

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1. the effects sends are in the Session view. you can change views by pressing the Tab key (PC). if you can't see them, on the far right, under the scroll bar, you'll see a variety of view buttons. the 2nd or 3rd button will show the FX Sends on each channel.

2. highlight a desired length, anywhere from 1-908327818927 bars, go to the "Insert" menu, and Insert MIDI Clip.

3. using multi-timbral instruments like Battery and Kontakt is a little bit inconvenient in Live. in Cubase, I like to create separate MIDI tracks for each channel, however, in Live this will only take up more space. create a MIDI track and put Battery on it. you can do all your MIDI programming on the Battery channel, just to make things easier, but you'll need to create an audio track to monitor every output channel of Battery that you're using. it's weak, i know.

4. there's 2 ways to get around question 3 and to answer this one. A) you can just import your percussion samples directly to an audio track or B) use Ableton's "Simpler" plug-in. it's a super easy to use, one-channel sampler (which will take care of your problems with any multi-timbral sampler you're using).

5. the only way i've ever been able to do this is to solo the track and bounce it out and reimport it. never been able to literally record a vst to audio, but essentially, you're doing the same thing by bouncing.

i hope this helps!

quote:

Originally posted by allcentury18 actually not helpful at all because the manual doesn't discuss half of his questions. if you go to the ableton website though, the forum has already answered 2 or 3 of those.

I found the manual and tutorial to be extremely helpful. Its definitely a good start if he/she has been playing w/ live for "a few days" and can't find the sends(or do some of the other basic tasks). I still learn new stuff when I read the manual again. The ableton forums are good as well, but for some of these basic things the tutorial only takes an hour or so and will help alot.

quote:

Originally posted by No Left Turn 5. the only way i've ever been able to do this is to solo the track and bounce it out and reimport it. never been able to literally record a vst to audio, but essentially, you're doing the same thing by bouncing.

It's really simple. Select "Audio from" the specific midi channel with the vst you want to record. And then in session mode, press the record button on a empty audio clip, and press play on the midi clip you want to record... You can also select "Audio to" the specific audio track on the midi channel.

___________________
___________________________________________________________________________
Lisa Miskovsky - Still Alive (Speactra Remix)
Speactra - Desicions

http://speactra.blogspot.com
MYSPACE:
Speactra Trance, Progressive, Psy
Oltha Downtempo, Experimental NEW

quote:

3. using multi-timbral instruments like Battery and Kontakt is a little bit inconvenient in Live. in Cubase, I like to create separate MIDI tracks for each channel, however, in Live this will only take up more space. create a MIDI track and put Battery on it. you can do all your MIDI programming on the Battery channel, just to make things easier, but you'll need to create an audio track to monitor every output channel of Battery that you're using. it's weak, i know.

Thats cool. I was trying to figure that out. I will have to try that. I have been using Cubase for some time now and have become accustomed to it. I would like to use Live to play my Cubase projects. But it seems that if one of my rendered instruments has a tail end on it it gets cut off so that it can repeat on time. This make the flow very choppy from the original in cubase. Is there a way to get live to layer the samples tail end to the next start of its loop?

you might wanna try bouccing out a "dry" track (keep dynamics processing, just without fx sends), and diong all your fx in Live. i don't use Live for live performances, but i would imagine that's how you would do it so that you wouldn't have a loop with a dry downbeat.

Wow that sounds like a lot of work!. There has to be a better way to bring these tracks to the stage. I have played around with the idea of using Live to just send the midi VIA rewire to Cubase. But Live wont send out midi as a client... So I am stuck with the same issue of how can I have control of the flow of my track on stage. I have been playing around with this for a while and now time is short. Any input would be great!

i don't get what exactly you're trying to do.

are you trying to play your cubase sessions via live? if you are, that's not going to work because cubase is the rewire master while live is the slave.

Right. That didnt work. Other programs can be a rewire slave and still send midi to the master program. Live doesnt have this function for some odd reason. It will however send midi via rewire if it is the master... But Cubase wont slave with rewire.

The whole purpose behind doing this would be so that I have the very powerfull advantages of Cubase and the live performance feel of Lives play order functionality. It almost seemed like the perfect combo... But Ableton doest seem to want to have this kind of conectivity useing Rewire.

Does this make any sense to you?