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I don't think anyone here desires any kind of reward here, beyond the occasional 'thank you.' The tutorial services provided here are all for the sake of helping fellow producers improve. Please don't offer recompense for something we'd all provide willingly otherwise.
This is actually probably one the most common chord combination in trance (not a bad thing). you've got an A minor, D minor and E minor chord, with an E major and a C major chord thrown in there, which gives it a bit more uplifting vibe. I'd say this track is in A minor, mostly because it starts on the A minor chord and resolves there.
Personally, I'd just repeat a one measure pattern on A while arping to G, C and D once in a while. This creates dissonance on the Em, Emaj, and Cmaj chords (so that last measure sounds very taught, and enhances the resolution.
Technically, this is because the bass makes the entire song up of A chords, so that you get chords like fifths, fourths, minor thirds and octaves from that A root, then some added tones way up there, like 14ths and up.
Of course, it really depends on if you're looking for an uplifting track or a darker track. The musicality of each style is characterized by a different chord progression. The one note idea is good for the darker sound. You'd probably want to go between A and C ever two measures for an uplifting sound. Then again you could do an arping bassline between the notes I mentioned a la Spicelab. See this midi:
Yousendit crap.
Here's an mp3 of what I did with it using Synth1, tweakbench pressure, one of BrenF's kicks, and some sidechaining between the kick and bassline.
More yousendit crap.
Couldn't tell you why the arpeggio works, though. That one was just a nifty thought that passed through my head, and worked out in the end.
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Last edited by thoughtlessjex on Feb-10-2006 at 21:51
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