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In laymen's terms:
If you play a B-minor triad with your left hand, then you play a G-major triad with your left hand (these are both being played as your right hand plays around a melody in the scale of B-minor), you are still in B-minor, since G-major -fits- into B-minor. Get it? G and B and D are all in B-minor, but since your tonic, or base note, is B, and your melody is in B-minor, the G-major triad is technically in B-minor.
This is obviously a simplification, but hopefully it'll clarify.
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One always has to remember these days where the garbage pail is, because it's so easy to make sounds, and to put sounds together into something that appears to be music, but it's just as hard as it always was to make good music.
- Robert Moog
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