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Intrestin' I suppose this is what we'll be listening to in our primes, yes? But what I find I enjoy of classical is the numerous dynamics, from crescendos to piano to forte to virtuosic to slow to moderate to different tone colors to decrescendos, stacattos, rests, silence, soft, climax etc, etc. but here, everything is so grand and forward and large and loud that I don't think it works well. I can understand that being Mills, there is bound aggressiveness, but there are no dynamics here. The predictable pulse of the 909 doesn't mesh and seems to abrasive with the sweeping strings and other instrumentation. OOps, you didn't even ask of my opinion. Thanks for the share!
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