High Energy Electro House with a nice funky feel about it!

Not the final version but im only just getting to grips with cubase!

Have a listen!

any feedback good, bad or ugly ...

Many thanks

-cit

LINK:

http://www.savefile.com/files/1773785

or if you get stuck

http://www.yourfilelink.com/get.php?fid=67631

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Last edited by citizeN on Apr-04-2006 at 00:03

Pretty good, great loops and beeps. I like how all the little sounds add to everything. This would be ready for any club. I know a dj that would love to spin this, in fact. There is this event in may, and I might want see if I can use this track in a set.

This wont bother you would it?

You could PM about and stuff.

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Thee Olde Ones LP
Check out my latest releases, progressive and psychedelic.

ideas in this track are really good....kick in a 4mins sounds awsome.

but through proper master this song can sound so much bigger....doesn't sound big enough.
because it is a big track.
sound really dry to. Play around with some mastering techniques and try to get a bigger warmer execution, should sound great.

cool track.

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MYSPACE HOMEPAGE

www.conradrogers.com

Help yourself man! Play it wherever you want. it aint the final version so i'll let u know as soon as its done.

I really want a BIGGER soound but im just unsure of how to do it. Ive only just started using cubase so my production aint the best...

Whats the the best way to get a bigger sound??

Many thanks

-cit

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Bigness comes from low to mid frequencies and reverb.
Effero

quote:

Originally posted by Effero Bigness comes from low to mid frequencies and reverb. Effero

what he said.

upping the mids helps with the " in your face " factor, while the reverb helps widen the sound.

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MYSPACE HOMEPAGE

www.conradrogers.com

do i do that when im mastering or should i boost up the lows / mids on induvidual parts?

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Music is like a jigsaw puzzle, you can't have mids boosted on everything because it's going to sound muddy. You as a mixer must decide which elements are going to carry a specific part of frequency response. If two parts have the same frequency response, then they clash (unless they're panned differently for example) and you have mud instead of a clean and present sound.
Effero

thanks for the info dude! Im messing around with different frequencies!!

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