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I fail to see what this label has to do with electro as well, but one can most likely just lump that phenomenon in with how carelessly the term "electro" is being thrown around about any music with a buzzing bassline. On with the trainspotter blurbing..
I haven't been all that impressed with the recent outings (esp the last Oxia/Boratto split was woefully uninspired), but KOMEX 01 till 10 are all essential, particularly seeing as 01 includes the fantastic yet hideously underrated "Fackeln Im Sturm" by Grungerman (Wolfgang Voigt). Personally I have a soft spot for Speicher 16 and Mike Ink's track, "Playing With Knives". Bouncy 303 goodness that sounds just as good no matter where the pitch is.
It seems that KomEx is more strict dancefloor material, while Kompakt is far more varied (ambient releases from Markus Guentner and Joachim Spieth, glitchy deep stuff from Thomas Fehlmann or more atmospheric house from Kaito).
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