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| quote: | Originally posted by Logout
Yeah Dblue glitch is rad.
I make specific patterns in it, and then usually keep it turned off on a channel via automating the Bypass in Cubase. When I want to do a neat glitch part, I set it to the pattern I want to use, and turn the bypass off so dblue turns on, do the glitchy part, and then turn bypass on again so dblue is off.
I'll also automate the different controls on whatever effects are going to be triggered, for example changing the retrigger speed, or whatever. <--- that sounds really cool btw.
The only better way is to actually chop pieces of audio up into maybe 32nd slices and fuck around with them. I've only done that once I think. For sure you can be more versatile doing that, but I think I'm happy with dblue glitch + automations for now. |
I do exakt the same, i can only agree and shut up 
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