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Joel Fielder
Senior trancEaddict
Registered: Oct 2000
Location: Wimbledon, UK
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This applies in the UK, but presumably it's similar in other countries.
When a label releases a track, they register it with the MCPS (Mechanical Copyright Protection Society) and the APRS (Association of Performing Rights Society).
Part of the terms of a radio license is that they must note what they play and submit it to the MCPS so that royalties can be paid to the copyright owner from the radio station.
This applies to anything that's broadcast, including jingles like the Intel Inside jingle (dum dum dum dum).
And that's it really. The APRS is for live performances rather than for broadcast of recordings.
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Mar-07-2001 09:45
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Aviston
Senior tranceaddict
Registered: Oct 2000
Location: Ann Arbor, MI
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I wouldn't expect radio stations to have to pay too much for the songs they play. It's beneficial for both the label and the artist as it gets alot of people to actually buy the album of the song they heard on the radio. At least here in the US, bands generally submit their songs to radio stations with the hopes of getting them on the air. If big money was involved, it'd be the reverse I suspect: radio stations would be negotiating with the labels to gain the right to play songs.
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Mar-08-2001 03:13
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Joel Fielder
Senior trancEaddict
Registered: Oct 2000
Location: Wimbledon, UK
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I'm not sure what the actual figure is but it's not big. I think we're talking pence rather than pounds. But like Aviston said, radio exposure is worth far more to an artist than the royalties because it helps sell records.
Incidentally, I was watching TFI Friday (Channel 4, UK) a few months back and Chris Evans played back 25 seconds of VT and said that would have cost £14,000.
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Mar-08-2001 10:26
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