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The digital/analog thing has been beaten to death.
With the DJM-800, and CDJ's with digital outs, you have direct CD quality sound going into the mixer (provided your source material is good, but you're probably getting 320Kbps MP3's off of Beatport anyway)... from there, the mixer processes everything in DSP's and eventually dumps it out the back in analog.
This is a very clean signal path for sure, with a great signal to noise ratio. It's a very transparent signal path, but can sound cold and harsh.
That being said, a high quality analog mixer won't dissapoint either. The top club sound engineers in the world still install analog mixers and use all analog components (minus the CDJ's) in their systems (Shorty, Gary Stewart, Steve Dash, etc.). They often choose the following mixers:
1. Urei 1620
2. Rane MP2016
3. Phazon (for phazon systems)
In cases where they install more "feature" rich mixers, you'll find the Xone:92 to be pretty common.
Mention the words "Pioneer Mixer" to them and they'll flip out, but that's probably because they were burned by the horrid sound that the 500/600 puts out.
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