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Heh yeah, I've always used Play Pig strictly to start things off too, but I liked how it worked here. None of my mixes are pre-planned, so sometimes I have to wing it 
My own biggest personal gripe is in the third mix. The Emjae track drops the main bassline in around 8 bars too soon. So I made an edit to fix that. Well, I go to mix it here, and the damned Blendbrank track has some damn 8 bar throw-off of it's own. I'd have been better off NOT using my edit, haha. But yeah I thought that transition was kind of weird.
On that note, don't you hate when you're doing that nice long, smooth transition, and the track has some fucking breakdown for 1 or 2 extra bars, totally ruining your phrase matching? The X-One track in the third mix has one of those towards the end, it's really notorious. It doesn't even leave you much track to mix out of after it. I have to do a feedback loop every time (which actually sounded cool, but believe me, mixing feedback loops are scary because if they aren't PERFECTLY in time, they will drift every 2 bars. Ugh).
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NEW MIX [Feb/March 2008]
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