Its fun!

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more analog, more sidechain

quote:

Originally posted by CReddick Its fun!

thanks man thats what i was going for on this one. i think it would sound good in the summer

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sick man!! love the bass and especially all the percs! wicked!

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I really suck at making music

i like the rythmic elements a lot, driving and the production level is great in this track. I'm not really diggin the jazzy/loungy feel too much, maybe a bit too chicago for me but u have massive pottential here and also unlimited creativity with abletons.

Keep it up

guess i can add a proper review here

love the fx in the beginning. the 909 reverb hit sounds out of time... would move the start position a bit back? or a bit fwd can't tell. just sounds off

whitenoise is cool at 1:20

i like the fx percs a lot and that scratch is rad brotha. my left buttcheek was groovin which is usuallly a good sign.

not sure how i feel about the rhodes in the background, i would of done a stabbier/grittier lead... unless you were going to add a higher rhythm perc line then maybe the rhodes wouldn't matter.

as far as eq & compression this sounds great bro. kick and bassline fit really well, percs sound fine and even the fx seems eq'd, which i feel like a lot of people forget to do

cool track bro

Anthony

edit: check out my track MOTIV... somewhat similar to your style and let me know your feedback

pretty dope track man

could see lawler droppin this

i dunno bout all u guys bitchin about the rhodes, i like it. keeps it deep and subtle. percs and bass are def sick. only thing that erks me is all the pauses that occur with the kick stopping then coming in again. and maybe that vocal sounds a bit amateur sounding..the one that goes something bout u know what time it is..but tune itself is still pretty fresh and coo.

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couple comments:

first off, it's well produced and thoughtful and I think on the whole pretty good...

I'm not really into electrohouse, and I know it's sort of a stylistic thing, but I feel like there are too many effects sometimes and it takes away from the groove. - let the DJ filter it if he wants, using the noise as a cue. The filters you have here don't sound much different than a DJ filter anyways.

The best, deepest, darkest groove of this track is at about 2:32. Really like the dark chicago sound here when you've filtered out all the highs on the bassline and it just rolls around

the offkey lead/bassline after you move the filter up into the treble sticks out a bit much for me and i focus more on the sound of that rather than the groove locking as whole

I think the "i know what time it is" vocal gets a bit monotonous. I know there is a kind of toronto aesthetic haha but it might be cool to hear a release of tension by changing that vocal up for a bit and then going back. I think this way you could create more structure too because it is relatively freeform now (which isn't really a bad thing it just makes it indeterminate)

Maybe consider running the atmospheric noise sweeps in for a lot longer and using them to create a longer phrasing besides just during a breakdown, at least maybe do this more towards the high point of the track.

I would definitely put it in my crate if it was modified like I said

good work