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In Defense of 'Call On Me'
This may seem unrelated for a moment, so bare with me. I just watched a Peter Jackson (Lord of the Rings, King Kong) movie, Dead Alive, from earlier in his career. At first glance it appears to be a horribly bad slasher flick, but when you look at it closer, you realize Jackson is playing with the genre the whole time and having fun with it.
While Dead Alive did not turn Jackson into a celebrity director, it did earn him respect. For some reason, this move vaguely reminded me of Eric Prydz's Call On Me. If you knew nothing of him, you could've easily seen it as a successful attempt to cash in on a shallow pop song. But, looking back now on how far he has come, could you say he too was consciously playing with the pop genre? Are there any moments where he winks to those who are attune to the conventions of the pop dance genre he was working in? I haven't read any interviews with him, but am curious to find out how he feels about the song and how he felt making a song that, in my opinion, is really out of line with the rest of his work.
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Lost Souls
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