well I've done a remaster of The Police - King Of Pain recently...turned out quite well...I used a compressor, limiter and a linear EQ. Sounds quite well and wasn't even as hard as I thought

___________________
Help me make soundtrack for my grandpa´s art exhibition:
Check out my topic about it here
Thank you!

What exactly do you want from it? You could try using an EQ, perhaps a maximiser or compressor to make it sound a bit louder and fatter. Maybe something like PSP vintage warmer if you're using plugins could be useful. Maybe if it suits the track some stereo widening to bring it to life a bit more could sound nice.

___________________
www.myspace.com/michaeldow mailto:[email protected]
Michael Dow - Colossal/Flash Point [Detox] Michael Dow - Apex [Soup]
Michael Dow - Metropolitan/Total Eclipse/There & Back Again [Illuminate]
Michael Dow - Ascent/Orbit [Captivating Sounds]
Michael Dow - Junglist [Nukleuz]
Falkon & Fairlite - Moonfish (Michael Dow Remix) [Inspired]
Michael Dow & Lee Haslam EP - Blessed/Elixir [Digital Remedy]
Dave PL & Illicit - Crying Heavens (Michael Dow Remix) [Soup]
Eufex & Jay B - Vacuum Packed (Michael Dow Remix) [Deprivation]
Andy Bagguley - Together As One (Michael Dow Remix) [Instant Music]

Have you heard the Jeff Beck album "you Had It Coming"? OMG
If you wanna hear old blues songs with crazy DnB style stuff going on grab it.

But I don't know you can do much with the stones stuff without the individual tracks... Mastering can't go that far I think because the drums would need a whole lot of editing and just chucking loops on top without taking out the originals will sounds really cheesy I think... When will people start releasing their individual tracks??? I would pay for it...

stereo widening on the beatles?

I like that sound.

___________________
All rhythm evolves around a kick...

i suppose u could do some sort of phase offset for that sorta fake stereo effect on them early beatles recordings..

___________________


Found Atlantis - Mixography [mix archive/mokumentary/my soul]?
i writed a song.

I dont really know much about mastering old tracks but I guess a multiband compressor is almost essential. Tighten the heights, and push the whole stuff a little more to the limit. The "clarity" in modern releases comes from more dominant hi frequencies (6-11kHz) so I guess they would be a good idea to boost.

___________________
Cybernetika albums (free DL): Atropos (2009) | Nanospheric (2008) | Neural Network Expansion (2007) | Promo #1 (2006) | Paralysis (2005)

homepage: http://www.cybernetika.de

If you have the mix stems things would be much easier. For a simple remastering on an old recording usually you can boost the 10k region to add some clarity and compress the highs after that if it's too piercing. Old school mix engineers did things alot differently than we do today and most of the recording aren't meant to be EQed too much. You'll find most all the old school music has almost no bass below 80hz.

Psh, its all about the mono.

Hell I turn my soundcards to mono just to get that back-in-time goodness.


Seriously though, doing anything with out the masters is just going to muddy the sound imo.

mono? In the time of the beatles engineers had the guts to actually hard pan a rhythm guitar to one side! it's brilliant, I feel these old tracks are far more interesting to hear mixwise than current standards.

___________________
All rhythm evolves around a kick...