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| quote: | Originally posted by Zombie0729
Eric J -- be honest with us here, do you work for a hardware/software manufacturer?
anyone who asks about gear i always point them to the most expensive unit saying "learn from my mistakes, i've rebought gear 1000000 times over, i've been thru 4 sound cards in 2 years, 4 midi controllers in 18mos and i could go on"
if you're at all serious about music making, save up... go with the best and you won't have to keep losing money everytime you have to rebuy a nicer piece of gear.
back to the thread topic i own a motu ultralite(after going thru a series of cards) and love it. drivers are rock solid, support is awesome and it sounds great. what's leaning you towards a PCI card if you don't mind me asking? |
No, I don't work for any hardware/software manufacturer, but the point I was making to the OP was that if you are just starting out, I do not believe that it is necessary at that point to spend loads on a card, or anything at that point. At that point you should be learning the basics of writing, arranging, sound design, synthesis, etc. Once you feel that this is something you truly want to pursue, then you can start buying gear.
It's like those people that want to learn to play golf, so they go out and drop $1,500 on a nice new set of clubs when all they need is a 6-iron and a good swing coach.
In addition, if he is in an all software environment, then it is debatable whether or not he needs some of the high end features of a better sound card such as higher quality A/D converters. M-Audio drivers are pretty stable, so that's not really a concern. There has been some debate on this forum on whether or not working in rates higher than 16/44.1 even makes a difference in an all software environment.
In the grand scheme of things, $99 is nothing to spend on gear, and it's not like if he upgrades later that the card becomes suddenly useless. There is always a use for old gear.
Last edited by Eric J on Oct-13-2007 at 14:32
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