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Publish or perish
Universities try to hire people who have lots of publications in their field. The reasoning behind this is that an institution can attract more grants and more new students if it has famous, high-performing faculty members working and teaching there.
I think that this makes very little sense when applied to the humanities (arts, literature, and philosophy).
The thing about humanities taught as university subjects is that they tend to be "second-order." What this means is that most of the professors are just writing about things that other people have done, not actually doing much themselves; e.g. English professors produce not novels but analyses of novels. On the other hand, the physics professors are actually doing physics. A physics class is a way of preparing you to do physics. An English class, on the other hand, is not a preparation to write a novel, but a preparation to analyze a novel -- training you to comment on the work of somebody else.
There is a reason for this, which is that it's much easier to teach people how to make passably intelligent comments about art or philosophy done by somebody else than it is to teach them how to make good art or philosophy themselves; and generally most of the professors of arts and philosophy don't know how to make good art or philosophy in the first place, so they are in no position to train anyone to do it anyway.
And to come at it from another angle, the best "doers" are not always the best teachers. The fact that professor Billybob wrote an astounding analysis of gender in Shakespeare probably has little bearing on his ability to teach English; in fact, he may be less effective as a teacher the more time he devotes to his own publications.
The "publish or perish" mentality is silly when applied to the humanities. But this is not at all to say that humanities teachers are worthless. Good art and philosophy can be hard to grasp at first, and it can make all the difference if you have somebody there to guide you and to refer you to other books or authors that might interest you. This, not barfing up the five hundred and fifty-seventh Freudian-feminist-Marxist-poststructuralist analysis of James Joyce's Ulysses, should be the primary function of humanities professors.
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