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| quote: | Originally posted by marcusk
Nightshift - a remix would be really cool..
B_man - your detailed input and positive comments are much appreciated.. especially how you hit play again =) |
Don't mention it!
| quote: | Originally posted by marcusk
Question: It doesn't sound too compressed does it? And any comment about the levels? Does it sound loud enough? I'm working with some crappy speakers and I really can't analyze it that well.. |
I personally don't think it sounds too compressed for my listening enjoyment. I even enjoyed this in my car. However, if you wanted to get this track mastered, it just might simply be too compressed (you wanna leave the master bus alone).
There are a few things about the levels that I find questionable. The kick seems a tad loud in comparison to the bass -- not by much, but I think this could use just a little more bass. I see what you are trying to do with the bass, you really don't want to have the bass draw too much attention to itself -- but you might want to help give it some more floor to share some of the bass-freq spotlight with the kick. However, if you try to balance out the kick and bass like I suggested, then you might find that the other elements sound too quiet. That's when I suggest being even more vigilant and attempt to vigorously EQ the elements.
However, if the kick is the loudest element, and the bass is less than 4-5db quieter than the kick and the other elements have more presence than the bass -- that might be the paradigm you are looking for. Kick-melodic parts-bass-pads in order of leveling. You already have that estabilished, but I think that the kick does seem to overexert itself.
The final melodic saw-lead element that is introduced with the breakdown could be more stereo-ized and touch the middle frequencies a little more. Actually, I think that you could touch on the stereo width in general to polish and shine this track up just a little more.
I have said a mouthful, but I hope I was helpful.
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...On college-driven hiatus...
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