I use hardware synths and reverb units(UAD dsp plugins too but theyre a bit different)im looking for a decent compressor and eq to patch into my mixer too,i use these in Cubase 4 and they load and act like any vst would. Compressors and eq's are the same really, just load from your vst list.

They can be used to process channels then record to audio and process another, or they can be used simply as an insert then rendered with the finished track(this is all really easy in C4)


can you assign channels to hardware racks etc? or are they standalone?

not sure what you mean by this, can you elaborate?

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I mean in cubase i want to compress my kick so i get a vst like multiband or vst synamics simple.

Is it this easy with hardware?

Let me explain

In cubase you have a mixer the audio is split into channels.

Out of a sound card the audio is one channel.

Say you want to use the hardware compressor only on kick drum.

Surely you would have to play the kick through the compressor then record it and them import the compressed sample into cubase.#

Or

Can you use hardware the same as software in cubase and if so how?

hope this explains it LOL

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Processing a highly structured and complex pattern of sensory input as a unified percept of "music" is probably one of the most elaborate features of the human brain.....understanding how music is perceived and how it may elicit intense sensations is far from being understood.

Seeing as you are still new to the whole production thing and learning the ropes, you shouldn't really concern yourself with how a hardware compressor works with software.

When, eventually you are a lot more experienced then you will

a) know what hardware, if any, you want

b) more than likely decide that a hardware compressor is way down the list on the different gear you want to get (eg - hardware synth, reverb units etc)

Obviously its entirely up to you what you want to get or find out about, but I really believe that you don't really need to ask this particular question just yet

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For this you need a full duplex soundcard (one that can play and record at the same time).
Create a output and input channel in Cubase. Put that channel (the physical output) on your mixer and route that channel to your compressor (you can also put the output channel directly on the compresser). Put the output channel of your mixer (or compressor) on the input channel of your soundcard (so it will go into Cubase) and that's pretty much it.

You will probably have to record the kick to use it realtime. Because the time it will take to get to the compressor and back in cubase, most likely it will be slightly off-time.

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You need to set the compressor ins and outs in your vst connections, then just place it in your kick inserts as you would a vst

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quote:

Originally posted by Ry Thomas You need to set the compressor ins and outs in your vst connections, then just place it in your kick inserts as you would a vst

Hey... didn't knew that, thanks! Thats a bit easier than my method

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It makes things so much easier dude, whatever instrument/effect you're installing, try googling its name and 'device map' or 'device panel' too

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quote:

Originally posted by G-Con Seeing as you are still new to the whole production thing and learning the ropes, you shouldn't really concern yourself with how a hardware compressor works with software.

I consider myself new to producing I have been going 2 years and I have hardware synth a microkorg and a m-audio midi keyboard and a dj set up but thats unrelated.

Im interested because im at the stage where I know what a melody is or a motif and can put together a track now i just want it to sound pro.

Most of the similar posts about this people respond with compress compress compress so i wondered if my next investment might be a good compressor.

How long you been in the game>?

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Processing a highly structured and complex pattern of sensory input as a unified percept of "music" is probably one of the most elaborate features of the human brain.....understanding how music is perceived and how it may elicit intense sensations is far from being understood.

When working with outboard fx it's handy to have your pc run multiple outputs. Via a hardware mixer you can control the fx on the individual channels.

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quote:

Originally posted by Pjotr G When working with outboard fx it's handy to have your pc run multiple outputs. Via a hardware mixer you can control the fx on the individual channels.

Does this mean I can get a soundcard with say 16 outputs route each channel in cubase to a fader on the ahrdware mixer and then use hardware effects on the hardware mixer.

I assume that then the final mixdown would involve recording the output from the hardware mixer into your computer?

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Processing a highly structured and complex pattern of sensory input as a unified percept of "music" is probably one of the most elaborate features of the human brain.....understanding how music is perceived and how it may elicit intense sensations is far from being understood.

quote:

Originally posted by Sonic_c I consider myself new to producing I have been going 2 years and I have hardware synth a microkorg and a m-audio midi keyboard and a dj set up but thats unrelated. Im interested because im at the stage where I know what a melody is or a motif and can put together a track now i just want it to sound pro. Most of the similar posts about this people respond with compress compress compress so i wondered if my next investment might be a good compressor. How long you been in the game>?

About 3 years. I judged your newness to producing by some of your recent threads that suggested you were still learning the ropes and unsure how to improve your sound.

If you think that a hardware compressor is required to sound pro, then think again.

There are probably 100 other things you could learn/get that would improve your sound before a hardware compressor. Doesn't matter anyway. I know nothing about you really and its none of my business what you do or don't spend your money on.

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