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| quote: | | Don't forget a good analogue compressor whether you buy the Phatty or Voyager. If you want to get the most use out of either, carve those transients real nice |
I really dont understand why you would want to get a good hardware compressor for a synthesizer. If you are going to be recording acoustic instruments, drumes etc then yes. Why would he need a compressor for the moog voyager or LP? If you want to get the very best sound out of your voyager (assuming you buy one). Learn the instrument inside out, get a good quality pre-amp/DI and a high quality A/D converter.
Why would you want to design the transients of the synth with a compressor? That is what its envelopes are for. If you are needing to compress synths on a regular basis then you need to learn alot more about sound design/synthesis imo.
| quote: | | And the Phatty has ONE big feature the Voyager doesnt have, and thats the Filter Overload function, which can really make some gritty, dirty sounds, or just add some spice to other sounds |
Try taking a feed of either the voyager headphone output or right main out (if using in mono) then feeding it back into the external input of the synth. Turn on the external input switch and drive the level to taste! This was a trick used extensively on the original minimoogs back in the 70s. Depending on how high you set the external input level, you can get some huge distorted/screaming leads and basses etc.
If you have a voyager, try routing a sound into a distortion pedal or similar, pre-filter. (you can do this on the voyager). Then route back into the synth and use its filters, post distortion. This sounds awesome too.
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