quote:

Originally posted by Airbase If you like them, I'll keep posting them. Feel free to suggest things you want me to do tutorials on at my website.

Keep them coming. I always get good inspiration from your tutorials!

One suggestion I have would be for the philosophy behind arrangements, but that may be a subject too broad for such a tutorial.

Thanks for the tutorial i will try this out for sure. I'm curious though; when you change the bass notes, how does that effect the kickline?. Since the kickline and bassline play at the same time, Do you have to change the transpose of the kickline everytime you change the notes of the bass?.

Thanks

cool thing!
coincidently i was listening to Astrix - "Tweaky" and wondering how they got their kick/bass to drive...then i click on your link and voila!

i accidentally found this out a while ago, great tutorial tho, i just do it through the view window, rather than using a sampler etc as you have.. great idea!

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-Everything I Say is a Lie-

quote:

Originally posted by Brownsound cool thing! coincidently i was listening to Astrix - "Tweaky" and wondering how they got their kick/bass to drive...then i click on your link and voila!

Oh.. thats such an awesome track.

Gonna have a look on the tutorial now.

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http://soundcloud.com/subtara

Thanks for this, your tutorials are awesome, all really useful stuff and going into detail really helps understanding it too.

suggestions for others? perhaps your approach to selection/programming of sounds...

Really appreciate it, keep them coming!

yeah good stuff. i have become a fan of your work. thanks to these tutorials.

Very useful, cheers!

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amazing Jesper - I;d like to know how you get your kick and drums so fat, compression techniques, what sounds to dial in and also sidechain compression, all other tutorials have been excellent, thanks an dplease keep em coming

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Awesome tutorial! Thanks!

As usual great tutorial - I've done this sort of thing before but I love the way they are explained in such a straightforward and fluid manner.