Yeah i have noticed this too.

I dunno why but many seems to like this "minimal" sound, music with as few elements as possible.

Personally i cant stand it, but its quite popular.

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if we're talking club music than shame on them but if we're talking stuff like nu disco, indie house stuff then the percs aren't the focus. my favorite are the people who put stereo spreaders on their master and ruin an awesome kick. i don't know if even half the producers out there know what mono is.

There's a lot of dance music out there right now of which the main focus is not floor-stomping.

Plus, I think a lot of it has to do with the system you're listening to it on. I think a lot of current kick drums aren't necessarily weaker, but they are deeper... in that, they are EQed or filtered down to only let low frequencies through, to give a kind of "heart-beat" thump rather than a "smashing a plastic trash can with a baseball bat" thump.

I think each type has its place, but perhaps I'm not picking up on the type of kick drum you're referring to.

Ricardo Villalobos is a micro house producer, same shit basically as minimal.

Thing about it is there isn't much else going on in the track so the kick comes through loud. Plus as said above, they're really deep so you def hear them.

Check out gaiser, love this style. He's to blame for the current fascination with ableton delayed blips tho

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i kind of like this new weak drum trend, like a lot of pryda songs lately. all he puts is like one layer to his hats, or none at all sometimes. i also appreciate rock drums, like in most indie house tunes.

Weak percussions are the cancer of dance music.

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this is a question of taste. I'm like Eric J, I don't like it much either, but to be honest, it's great if it's the hype of the moment. Let's not get blinded by the shining of fame and hype.

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depends what kind of track it is.. i've always preferred melody, and solid bass to an in your face kick...

kicks are meant to keep the time, if the bass is doing that solidly enough......???

i guess i generally see percussion as a tool to display the actual quality of a tune (as mentioned above)... if the tune works on it's own percussion can get farked..

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i like using drums and percs ect in my tunes because i find it can help move the track along. but it can also leed to things becoming pigeon holed ie tribal. so this is why i think many producers opt for ways to comlement the track rather then over power it.

just comes down to preference in the end of the day. I, like echosystm, like the rock kits and sometimes even enjoy a bit of deep house (pretty minimal).

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im guilty in this myself. not intentional though and i try to be better at making the kick especialy stand out more. im not following the minimal trend...