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| quote: | Originally posted by cryophonik
Just curious, but how much consideration have you given to the following:
- mixing without the sub (or, only use it to check your mixes, e.g., when nobody else is home)
- mixing at, or just below, normal conversation level and only crank it up for short bursts to check your mix when nobody is home (this is good practice to minimize hearing fatigue)
- mixing with headphones when people are tying to sleep, etc. finish your mixes on your monitors during the day (yeah, I know it gets debated to death, but the general consensus is that mixing with a great pair of cans usually yields better results than mixing in a bad room and/or with crappy monitors)
I'd give those a try before going to the extremes of dropping $10K on soundproofing. You might actually find that your mixes improve drastically. |
thanks for the advice, and it is advice that has been considered throughout the numerous years of audio production, but unfortunately it's not a possibility..
there are people home during the entire day, or they come in at random times.. Production is now a full time job, so this really does need to be done.. I do mixdowns in both headphones and with good monitors/sub. Cost is really not a problem unless it's going to be over 10-15 thousand.
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