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Originally posted by Feonix But my concern lies with the frequencies. How to balance them out? I was thinking, for example, to cut the main bass up until about 80-100 kHz and cut everything off the sub after 80-100kHz. Does this method make sense?

Got it in one. High Pass the Main Bass and Low Pass the Sub Bass.

Then as you said, send them to a buss and compress them.

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Be sure to use a good Linear Phase EQ.

If you're just using a sine there's no point in cutting anything on the sub.

id add them in one channel too and compress them together abit as one signal.

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Originally posted by palm id add them in one channel too and compress them together abit as one signal.

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Originally posted by Cryogen ...Then as you said, send them to a buss and compress them.

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Originally posted by hasbone If you're just using a sine there's no point in cutting anything on the sub.

Why?

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>>> Beatport Stuff <<<

Because sines have no overtones, so using EQ to cut anything just means lowering the volume.

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Originally posted by Acton Why?

who are u asking?

Used this method in countless productions, basic sine ranging from 45-110 hz, then the 'upper' bass going from 110 upward yielded the best results. Sometimes some dead space in 110-135 range provided some extra clarity, sometimes not, but it's slightly different with each track.

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