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| quote: | Originally posted by Kysora
Every note in a diatonic scale can be harmonically supported by major chords, so it's not hard to comfortably stay within a major tonality...
A typical 8 bar progression for me with that could be VI-I-V-IV.
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That progression of major chords doesn't make much sense. First, there are no modes in which the VI, I, V, and IV chords are all major (not that you have to stick to the seven modes). Second, I don't think I've ever heard a progression similar to that in any form of trance (particularly not in uplifting trance). You're essentially talking about a progression (in Cmin) that would go:
Abmaj | Cmaj | Gmaj | Fmaj |
See any problems with the key? You're interchanging (and "resolving") chords that use Ab's (Abmaj) and A-naturals (Fmaj) and Eb's (Abmaj) and E-naturals (Cmin). Also, you're resolving upward by a minor third from one major chord to another twice (Ab to C; F to Ab) - not a strong progression at all. It's not that you couldn't use that progression, but in the context that you are saying that you use it, it probably wouldn't sound very good. Essentially, your progression is more like a Cmaj progression that starts with a VI borrowed from the parallel minor, but never really resolves. I guess I'll have to try it for myself when I get home....
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