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The open hat is a little harsh. You can hear some good definition in the synths, but you aren't matching bass notes and it's easy to hear unpleasant dissonance.
Coming from 140 to 128 is like a train wreck, but your biggest problem here is that the notes simply sound like crap. For a first attempt it's not bad other than that. As far as working in 128, I think stylistically it will be very different (in case you wanted my opinion). At this BPM, it's all about groove and making every sound count, rather than having a constant drive like 140 does.
edit, btw.. I can appreciate 140 BPM works, as you can see from my handle. I made it as, evolve the 140 bpm. at the time I was getting more into progressive sounds and Way Out West was just killing at the time, for me, especially on the decks. 17 years old, right around the time I became seriously engaged in production. I too remember how it occurred slowly. 138 or 140, then eventually it was always 135. A year or 2 pass and it's 132, creeping down, and now, it's always 128 except if I want slower. I don't even have the trance drum samples on my computer anymore.
and what i meant by every sound counts, i just meant things are slowed down so the brain pays more attention to each individual sound. spatial cognitive psychoacoustics if you will.
Last edited by Evolve140 on Jun-30-2010 at 03:53
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