I own a bunch of different compressors from Waves, Wave Arts, Sonnitus, etc. and my favorite by far is the FabFilter Pro-C. It's clean and loaded with features and a nice interface and visual feedback of the signal processing.

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Sonar Platinum | Ableton Live 9 | Logic Pro X | Access Virus TI2 Keyboard | Kurzweil PC3X | Nord Lead 4R | NI Maschine

"better" for what?

i use

la2a - vocals, top lines, hats
1176 - drum bus
ableton - squash samples
fairchild - synths & bass

quote:

Originally posted by Zombie0729 "better" for what?

+1

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I really suck at making music

Ableton's sounds really nasty, especially when you crush things.

Pro-C is pretty clean.

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quote:

Originally posted by dj_alfi change your avatar for fucks sake.

http://www.reaper.fm/reaplugs/index.php

Works for me and it's FREE.

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quote:

Dr.DRE "It's not the equipment....it's the muthaf@#%r running it"

quote:

Originally posted by Pagan-za Fighting online is like winning the special Olympics. Even if you win, you're still retarded.

quote:

Originally posted by cryophonik I own a bunch of different compressors from Waves, Wave Arts, Sonnitus, etc. and my favorite by far is the FabFilter Pro-C. It's clean and loaded with features and a nice interface and visual feedback of the signal processing.

Going to check that one out!

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quote:

Dr.DRE "It's not the equipment....it's the muthaf@#%r running it"

quote:

Originally posted by Pagan-za Fighting online is like winning the special Olympics. Even if you win, you're still retarded.

sorry, better for synths, and percussion , cheers for the replies so far too

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TubeTech CL1B from Softube

Check out the Trident EQ they've got as well if you're looking for a nice boosting colorful EQ. Has a nice saturation feature on it too that wasn't available on the original hardware models. It introduces a lot of 2nd and 3rd order distortion (musical distortion) to give an "analog" feel.

But yea, OVERALL, The TubeTech is my favorite. But you really gotta understand that "compressors" is a term used to describe a lot of singnal processors that squash things in very different ways.

For instance you have Opto compressors, which are very "slow" compressors when it comes to transients and generally have softer knees. These are sacred for vocals. The LA2A is a great one.

You've got SSL compressors, like the LA3A, which are very transparent, fast, and smooth. Don't get a ton of color from most, but they are great for bass guitars and things you want smooth.

Crunchier sounds you can get from compressors that are overdriven well. The 1176 is the industry standard here, although I prefer others. Many different companies have emulations of the 1176 (originally produced by Neve), with the Waves one being the best IMO.

Then you've got hybrid compressors that try to "do it all" like the FATSO from Empirical Labs. It claims to be nearly as fast as the 1176 when run in certain modes, but its also smooth enough to be used for bus compression in others.

Again, there are a lot of different "compressor" types. I havn't even touched the surface here.

Personally, if you're looking for something for synths and percussion, I'd recommend a VCA style mixer. They make sounds pop and punch well without much effort. UAD's VCA Compressor is the best IMO. But there are many out there, just look around.


But, best overall, if I could only have one, Softube's TubeTech CL1B takes the cake with the UAD FATSO from Empirical Labs/UAD a close second.

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Compression: Camelphat free.

Sidechaining: Ableton's.

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quote:

Originally posted by PlasticSoul Compression: Camelphat free. Sidechaining: Ableton's.

I know this isn't a compressor but I much prefer the sidechain on the gate when doing velocity sidechaining in Ableton. Use the gentle squeeze preset for EQ based SC'ing.

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quote:

Originally posted by Stephen Wiley TubeTech CL1B from Softube Check out the Trident EQ they've got as well if you're looking for a nice boosting colorful EQ. Has a nice saturation feature on it too that wasn't available on the original hardware models. It introduces a lot of 2nd and 3rd order distortion (musical distortion) to give an "analog" feel. But yea, OVERALL, The TubeTech is my favorite. But you really gotta understand that "compressors" is a term used to describe a lot of singnal processors that squash things in very different ways. For instance you have Opto compressors, which are very "slow" compressors when it comes to transients and generally have softer knees. These are sacred for vocals. The LA2A is a great one. You've got SSL compressors, like the LA3A, which are very transparent, fast, and smooth. Don't get a ton of color from most, but they are great for bass guitars and things you want smooth. Crunchier sounds you can get from compressors that are overdriven well. The 1176 is the industry standard here, although I prefer others. Many different companies have emulations of the 1176 (originally produced by Neve), with the Waves one being the best IMO. Then you've got hybrid compressors that try to "do it all" like the FATSO from Empirical Labs. It claims to be nearly as fast as the 1176 when run in certain modes, but its also smooth enough to be used for bus compression in others. Again, there are a lot of different "compressor" types. I havn't even touched the surface here. Personally, if you're looking for something for synths and percussion, I'd recommend a VCA style mixer. They make sounds pop and punch well without much effort. UAD's VCA Compressor is the best IMO. But there are many out there, just look around. But, best overall, if I could only have one, Softube's TubeTech CL1B takes the cake with the UAD FATSO from Empirical Labs/UAD a close second.

Yeah, this is pretty much it. You need different compressors for different things. Although stephen got a couple of things wrong. The LA3A is not an SSL, its a urei originally, now made by Universal Audio, who also make the LA2A. The 1176 was always also a universal audio AFAIK, although I could be wrong on that one..? I dunno, UA make most of the big ones now except the SSL and API 2500 ones. The famous copressors are really the LA2A, 1176, API 2500 and a couple of SSLs.

Also, all of these compressors are famous for a certain sound which they got because their controls were limited. With a good modern digital compressor with variable knee, continuously variable ratio and variable attack and release, and an EQ on the sidechain, you can get most of the sounds of these compressors to a reasonable degree of accuracy. Of course, you're still missing out on the distortion and other little things, which is why its good to have a small range of emulations. But I don't think its worth having 20 different compressors generally, because most sound quite similar.

I still like using the waves API 2500, because I find its got a lot of mojo generally and doesn't take much effort to sound good on a buss, also the SSL buss compressor emulation is good for some stuff. another alternative SSL emulation is the very cheap and worthwhile "the glue" by crysonic, which is getting amazing reviews everywhere.

For highly versatile compressors I don't think you can beat flux's one, the sonalksis one and the Pro Q. One of these should be your first priority because they're the most versatile IMO. But for character compressors, waves are a good option if you can afford it.

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