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Here's my take:
RME are fucking great. Always have been and each new offering from them has been impressive. I remember dealing with them when I worked in audio service and when their UK service branch couldn't solve the issue, they sent one card back to the mother country where those diligent germans ran all manner of tests and pinpointed the exact issue. Even fixed it for free for our customer as they were interested as to what the actual problem was.
PCI cards, have pro and cons:
The cons are that they can easily suffer from RFI and EFI and I don't like the fact that PCI protocols keep changing, and while they made some of them backwards compatible (but not all), you should in theory hang on to a decent soundcard a lot longer than you would the average computer, which means future proofing yourself can be a challenge when you upgrade to a new Mobo etc. I think it limits your options in the long run compared to USB or Firewire which is completely backwards compatible (albeit limited to your gen in terms of speed) both of which have been standards since the mid 90's.
I don't quite know where the statement "they have higher noise floors than external cards" comes from. Maybe compared to shit external ones but not the likes of RME, Apogee, lavry etc. If anything external ones have less opportunity to suffer from interference and don't rely on a shared DC power source like PCI cards do - if anything good external cards have lower noise floors and that's why the really high end brands are all external.
I also like the fact that if your situation ever changes or need to travel and start using another non-pci computer (laptop, imac etc) you can still use your card.
There is also the issue that PCI cards *can* in certain circumstances be more of a burden in terms of processing power than external interfaces but this varies heavily on the brand and implementation of drivers, something which RME has never suffered from.
Sorry, but the reason of going PCI so "there's no chance of spilling something on it" is quite ridiculous. If you can't hold your liquor then you shouldn't be anywhere near several thousand dollars worth of sensitive pro audio equipment.
Also, there is no real world processing advantage of PCI being connected straight to the motherboard over USB or FW - USB or firewire has more than enough data bandwidth to accommodate several dozen full duplex tracks of audio. The real bottleneck is the drivers and how efficient that brand/model is at making hardware.
@jayxthekoolest - I'm a little suprised you "upgraded" from the ECHO Audiofire 4. I have the AF4 and have A/B it against most cards, even ones far more expensive there is no discernible difference between it and Steinbergs offerings (with exception to the mic pres). I can't really see how you could have a problem with the build quality - It's built like a fucking tank, the pres are decent and usable, and it has headphone volume control on the front panel. Granted the pres are better than the echo's but unless you've got a nice mic, isolation booth and some great monitors, not much point in them.
@EZ - I would pick whichever one really suits your needs;
Answer these:
1, do you need mic pres? If so how critical is sound quality?And do you have (or at some point will have ) the other links in the chain to take advantage of it? (great mic etc)
2, How many Ins/Outs? What connectivity do you need? (spdif/adat/aes etc)
3, How critical is latency?
4, How critical is sound quality? And do you have (or at some point will have ) the other links in the chain to take advantage of it? (great monitors, room treatment etc).
5, Do you need it to be portable/used with other computers etc?
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