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Dj Flesch
Supreme tranceaddict
Registered: Aug 2001
Location: Indianapolis, USA
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I think the first thing you need to do, is get it out of your head that you need to get things perfect when you are practicing. You learn from your mistakes, not repeating what you are already comfortable with.
Try teasers, for one. Bring in the track that you have just beatmatched before you are ready to mix out into that track, then let the two play for a little while and then cut back to the first track. Give the listener a taste of what is to come. (Matt Darey's Pure euphoria cd1 is an excellent example of this technique--very very good cd).
Other than that, do you have an effects sampler on your mixer? If so, that play with some effects. If not, then try using your eqs to produce effects. You can generate at least a wah-like sound and you can do bass cuts or enhances. To get a wah-like effect, turn your mid and high in opposite directions and then back to zero. You can do this in either direction to get a different wah effect.
You can also cut or enhance the bass for the first two or last two beats of the measure. I personally think that it sounds best when you enhance on the first two or cut on the last two.
You'll have to "relearn" what it means to be a dj because it is going to take a lot of learning to figure out which tracks you can tease with, when to do it, what beats to kill or enhance, when to start and finish wah effects etc. You'll learn that you can't just add in effects randomly, you have to listen to pros do them and think to yourself, why did that effect sound good at that point, or why did that dj do that effect when he did? Think about how it adds or subtracts from the energy of the set and if that was the goal of the dj. You'll find out that only certain tracks can be used to tease into eachother, and what part of teasing track you should overlap on the live track--and what part of the live track to do this with too!
There are no set rules, but my suggestion is that you record everything that you do, and don't worry about if it is a perfect cd mix or not. It doesn't matter because it is for practice. But recording is vital so that you can listen to your mistakes and learn the most from them. It will help you learn your tracks better and your mistakes even better.
___________________
When you dance, the DJ takes you on a journey, but he or she is usually not the focus of your experience at a club or festival or wherever you hear the music. Dancing is. Music is.
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Dec-14-2002 14:50
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Tony Morello
The Renegade Master

Registered: Apr 2001
Location: Calgary, Alberta, Canada
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Dec-16-2002 07:27
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dJohn
Supreme tranceaddict
Registered: May 2002
Location: 619
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| quote: | | but how do u properly do a back spin that sounds great? |
It's not a stupid question at all. Some people backspin just for the hell of it and mess up the rhythm.
Notice how I used the word 'rhythm'. You gotta backspin in accordance with the beat count. For instance, if you have a beat going along like this:
1 2 3 4 1 2 3 4 1 2 3 4 (drum Buildup - 4 count, same tempo) Break
What I do is...
1 2 3 4 1 2 3 4 1 2 3 4 1 2 (BACKSPIN - 2 count) Break
Notice how the backspin is "counted" for two beats, making in iself part of the beat. With the EQs right, and the fader levels correct, the spin will sound like part of the song rather than a physical cut.
This is only one way to do it. Of course, the longer the backspin and the better the cut, the cooler it sounds. Don't backspin too long, or else the whole flow of the beats will break eventually after about 9 or 10 counts.
Good luck!
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Dec-16-2002 08:50
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Laszlo
The weekend has landed

Registered: Dec 2002
Location: Szekelyföld Status: Official Montreal Canadiens fan of TA
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Dec-16-2002 15:13
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